Bad acting, like bad writing, has a remarkable uniformity, whether seen on the French, German, or English stages; it all seems modeled after two or three types, and those the least like types of good acting. The fault generally lies less in the bad imitation of a good model, than in the successful imitation of a bad model.
George Henry Lewes (1875). “On Actors and the Art of Acting”, p.185, London Smith, Elder 1875.
