The impressionistic method leads into a complete splitting and dissolution of all areas involved in the composition, and color is used to create an overall effect of light. The color is, through such a shading down from the highest light in the deepest shadows, sacrified an degraded to a (black-and-white) function. This leads to the destructions of the color as color.
Helmut Friedel, Tina Dickey, Hans Hofmann, Städtische Galerie im Lenbachhaus München (1998). “Hans Hofmann: Wunder Des Rhythmus und Schönheit Des Raumes : [exhibition at the Städtische Galerie Im Lenbachaus in Munich, from 23 April to 29 June 1997, Schirn Kunsthalle, Frankfurt, from 12 September to 2 November 1997 ]”, p.95, Hudson Hills
