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If conversation be an art, like painting, sculpture, and literature, it owes its most power charm to nature; and the least shade of formality or artifice destroys the effect of the best collection of words.

Henry Theodore Tuckerman (1850). “The optimist”, p.77
If conversation be an art, like painting, sculpture, and literature, it owes its most power charm to nature; and the least shade of formality or artifice destroys the effect of the best collection of words.