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I know that a translation of a work of literature is like playing a violin concerto on the piano. You can do this. You can do this very successfully on one strict condition: never try to force the piano to produce the sounds of the violin. This will be grotesque.

"'Everybody comes from somewhere.' An Interview with Writer Amos Oz". Interview with Prashanth Ramakrishna, logger.believermag.com. October 20, 2016.
I know that a translation of a work of literature is like playing a violin concerto on the piano. You can do this. You can do this very successfully on one strict condition: never try to force the piano to produce the