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High art consists neither in altering, nor in improving nature; but in seeking throughout nature for 'whatsoever things are lovely, whatsoever things are pure;' in loving these, in displaying to the utmost of the painter's power such loveliness as is in them, and directing the thoughts of others to them by winning art, or gentle emphasis.

John Ruskin (1859). “Modern Painters: (pt.4) Modern painters of many things”, p.35
High art consists neither in altering, nor in improving nature; but in seeking throughout nature for 'whatsoever things are lovely, whatsoever things are pure;' in loving these, in displaying to the utmost of the