We were trying to make our lives easier, trying, with all our rules, to make life effortless. But a friction began to arise between Nothing and Something, in the morning the Nothing vase cast a Something shadow, like the memory of someone you've lost, what can you say about that, at night the Nothing light spilled from the guest room spilled under the Nothing door and stained the Something hallway, there's nothing to say.
Jonathan Safran Foer (2013). “Extremely Loud and Incredibly Close: A Novel”, p.110, Houghton Mifflin Harcourt