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No nude, however abstract, should fail to arouse in the spectator some vestige of erotic feeling... The desire to grasp and be united with another human is so fundamental a part of our nature that our judgement of what is known as 'pure form' is inevitably influenced by it, and one of the difficulties of the nude as a subject for art is that these instincts cannot be hidden.

Kenneth Clark (1956). “The nude: a study in ideal form”, M J F Books
No nude, however abstract, should fail to arouse in the spectator some vestige of erotic feeling... The desire to grasp and be united with another human is so fundamental a part of our nature that our judgement of what