In the potential of absurdity, hiding in the disparate combination of the various different subjects which in themselves are nothing but daily items equally in the exclusive representation of a normal item taken out of their usual context, is by far the most radical - in its effect comparable to a Japanese Zen koan - paradox to be witnessed, which modern art has produced, one of the most forceful impulses that generated from it.
"Tàpies, Werke auf Papier 1943 - 2003" by Antoni Tapies, Kunsthalle Emden, edited by Achim Sommer, Altana, (p. 28), 2004.
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