Artist Quotes - Page 42

An artist must first of all respond to his subject, he must be filled with emotion toward that subject and then he must make his technique so sincere, so translucent that it may be forgotten, the value of the subject shining through it.

The artist in me cries out for design.

Fashion for me is another way I get to express myself creatively. It is one of the fun things I get to do: to play dress-up, and create outfits and looks that aren't typical. I am an artist, so I like creating things. Shoes are my favorite thing.

If you're going to be a visual artist, then there has to be something in the work that accounts for the possibility of the invisible, the opposite of the visual experience. That's why it's not like a table or a car or something. I think that that might even be hard for people because most of our visual experiences are of tables. It has no business being anything else but a table. But a painting or a sculpture really exists somewhere between itself, what it is, and what it is not-you know, the very thing. And how the artist engineers or manages that is the question.

Painting is an illusion, a piece of magic, so what you see is not what you see. I don't know what a painting is; who knows what sets off even the desire to paint? It might be things, thoughts, a memory, sensations, which have nothing to do directly with painting itself. They can come from anything and anywhere.

An artist's job is to articulate what might otherwise be incoherent.

Think of an economy where people could be an artist or a photographer or a writer without worrying about keeping their day job in order to have health insurance.

In other words, I have no truck for anyone who goes out and does an eclectic building.

I would hope they would be our fellow artists, rather than trying to emulate or idolize clowns like us.

Growing up, I thought I was white. It didn't occur to me I was Asian-American until I was studying abroad in Denmark and there was a little bit of prejudice.

No academy could have given me all I discovered by getting my teeth into the exhibitions, the shop windows, and the museums of Paris . Beginning with the market - where, for lack of money, I bought only a piece of a long cucumber - the workman in his blue overall, the most ardent followers of Cubism , everything showed a definite feeling for proportion, clarity, an accurate sense of form, of a more painterly kind of painting, even in the canvases of second-rate artists.

Anytime you have a fellow artist say, 'Loving the new Luke Bryan album,' that's awesome.

If you only believe that you're an artist when you have a big advance in your pocket and a single coming out, I would say that's quite soulless. You have to have a sense of your own greatness and your own ability from a very deep place inside you. I am the one with the litmus test in my hands of what people need to hear next.

In reggae I have a model of artistic excellence and possibility that is challenging and inspiring. The poem remains a demanding thing - an object to be understood and shaped into my own sense of self, the same is true of the play, the novel, the short story. Yet, for some reason, I approach these existing genres with the kind of confidence that the reggae artist approaches any song floating around out there.

Everything an artist spits is art.

Sometimes you have the trends that's not that cool. You may have certain artists portraying these trends and don't really have that lifestyle, and then it gives off the wrong thing. And it becomes kinda corny after awhile. It's really about keeping hip-hop original and pushing away the corniness in it.

There's a point at which when I start to know a man well--this isn't true of women--I wonder whether there's something in him that's evil. Something that's pure and can't be touched. This quality of evil may be related to the quality of artistry, for an artist has the same characteristics.

As an artist you have to fight and survive the wilderness to keep your creative freedom. Creativity is very fragile.

The Conservatives are demonstrating that they don't understand the importance of cultural industries, of artists, of creators, not just to Canadian identity, but to growing the economy. The fact is, investing in the stories that bind us together as a nation in both official languages, ensuring that Canadians understand each other's lives and experiences is at the heart of the mandate of the CBC.

The most valiant thing you can do as an artist is inspire someone else to be creative.

Their task [creative artists], therefore, is to communicate directly from one inward world to another, in such a way that an actual shock of experience will have been rendered: not a mere statement for the information or persuasion of a brain, but an effective communication across the void of space and time from one center of consciousness to another.

Religion is a group of scam artists that sell the calming idea that your body is a temple of God, while your mind belongs to them.

My favorite artists have always been Elvis and The Beatles and they still are!

I do strongly feel that among the greatest pieces of luck for high achievement is ordeal. Certain great artists can make out without it, Titian and others, but mostly you need ordeal. My idea is this: the artist is extremely lucky who is presented with the worst possible ordeal which will not actually kill him. At that point, he's in business: Beethoven's deafness, Goya's deafness, Milton's blindness, that kind of thing.

It isn't a hunch but the subconscious mind, which is the creative mind, at work. That is the mind which makes artists do things without their knowing how they came to do them. Perhaps with me it was the cumulative effect of a lot of little things individually insignificant but collectively powerful.