There are so many different desires that make you execute an artwork.
It's really thrilling to work with an illustrator - your vision expands with the addition of someone else's artwork/artistic vision.
The digital artwork is characterized not by the technology which delivers it, but by the "passage" itself.
One of the reasons I picked Pacifica was because, for a lot of classes and for your thesis, you could do artwork because of the Jungian slant of it all, and that really called to me.
In putting everyone else down, I am raising myself up... and this will continue until my self-esteem rises. I have just sorted out the mystery of why I am always putting down everybody else's artwork.
I produce a lot of my artwork in Germany.
All the records I've put out have had either artwork that I did while I was young or something that my Dad painted.
If you don't know how to look, you'll end up putting down the wrong things, which only dilutes or cancels the power of your artwork.
It's funny how the beauty of art has so much more to do with the frame than the artwork itself.
Nothing is more hackneyed than the liberal dogma that shock value confers automatic importance on an artwork.
I think the optimal artwork is in constant circulation with the world around itself.
