Cds Quotes - Page 8

There are the people who overthink making mix CDs and playlists, and how that works generationally is all really interesting to me.

Film has lost something in the translation to high tech. It's become so super-real. It's with digital this and stereo that, and everything's like a CD.

Indeed, there is a moment on the first CD - the electrifying opening to "I Got Loaded," which sounds like an R&B standard but isn't - when you might find yourself asking whether anyone who has ever been smitten by pop music can fail to have his heart stopped by the chords, the swing, and, once again, Steve Berlin's wonderfully greasy sax.

I'm always concerned about marketing or commercial philosophies. I can't feel good about having my name on a bottle of perfume that comes from a factory making perfume with all the same ingredients as every other perfume. I can't feel good about a factory overseas polluting the air for something with my name on it. I'm okay with music - because it's digital or a CD. My music is my emotion in a bottle. But how is a perfume supposed to reflect me? How is a sweatshirt supposed to represent me?

I have lots of CDs that came out at one time or another, and according to the statements I've gotten, no one's buying them.I figured there's no need making a new CD. There are plenty of mine out there, and none of them are selling.

For me, the creative process for me always starts in a personal place. I step away from my iPod or any records or CDs.

These days there's so much technology and ways you can learn. There are videos and CD roms.

The growth of the American food industry will always bump up against this troublesome biological fact: Try as we might, each of us can only eat about fifteen hundred pounds of food a year. Unlike many other products - CDs, say, or shoes - there's a natural limit to how much food we each can consume without exploding. What this means for the food industry is that its natural rate of growth is somewhere around 1 percent per year - 1 percent being the annual growth rate of American population. The problem is that [the industry] won't tolerate such an anemic rate of growth.

I know what it's like being with a major label. But I've always wanted to do things differently. And when I found out that the internet was a digital medium that could transfer binary code, the 0s and 1s - which is what a CD is - I knew it was only a matter of time before the feed would be fast enough to transfer files.

I got really paranoid, burning every song onto three CDs and hiding them in various places around the house just in case I got burgled and there was, y'know, a fire in my bedroom. I told friends where I was hiding them in case I was killed.

Many, many years ago, I was one of the few conductors who talked to the audience and now a lot of classical conductors have figured it out... otherwise, you just get the back of someone's head playing music you could hear on a CD. It's not enough anymore.

I am not a huge follower of music and tend to like one CD and play it to death, usually when I am washing up.

With vinyl you had twenty-two minutes per side. CDs came along, and you had sixty, seventy, eighty minutes and people felt like they had to fill them up. They were like those Fuji apples from Japan. They look like perfect, super-gigantic versions of American apples.

Yoko Ono is someone who's music I've discovered more recently. The current cd rereleases of her albums all had bonus tracks recorded just with a tape recorder and I'm really into these at the moment because they have a great intimate feel.

When I'm on the road with concerts, people ask me to autograph my CDs, but more and more they come up with the cookbooks.

It seemed like the best weapons in my life had always been the most innocuous: empty plastic bins, a blank CD, an unmarked syringe, my smile in a dark room.

Listen to you sounding all badass. I bet you're just listening to a CD called 'The Sounds of Crime' while you cruise for chicks outside the Old Navy in your Camaro.

I never pigeonholed myself - the only reason you'd want to pigeonhole is to monetize your business and, as a person, I don't see the importance of doing that. My music took off above the rest of those things: You can just make a song, put it on a CD, and get it out to all these people.

People hang their hopes on you fitting into their CD collection in way that they have made a space for, but I'm playing a longer game than that.

It seems to me like the Internet allows you to break that structure a little bit. You know, here's your CD that's going into stores, here's your EP that you offer online, here's a subscription for songs you recorded on the road, here's your live stuff streaming.

Music TV in the U.K. is disappearing. 'Top Of The Pops,' 'CD:UK' and shows like that have gone, and it's bringing down the music industry. We should do as much as we can to keep our music TV and producers need to be more willing to accommodate live music.

Eventually you're going to have a digital transfer anyway when you make a CD, so it doesn't matter as long as what you're hitting first is what you want it to be.

I'm actually not a very good driver, to be honest with you. I'm a scatterbrain driver. I'm not very focused. I'm always trying to find the right music station or put on a new CD or trying to eat something.

A CD these days is not all that convenient, and it doesn't bring enough fidelity to make you put up with that inconvenience. So, nobody buys CDs anymore.

I guess I prefer to play live, but I don't want to have only live CDs. I like playing live because there are alot of things that can happen. I can interact with the audience and say some things to get me in trouble. On the other hand, the studio is nice because you can really take your time and make something that you know is the best thing that you can ever do. But nothing beats being up on stage in front of all that energy.