Character Quotes - Page 551

Sitting at a candidate rally is similar to sitting in a ballyard. Both give you the opportunity to assess the technical metrics and reflect on the intangibles - what baseball calls "make up" and politics calls "character" - the leadership, talent and maturity to add value to a venture.

Carol Burnett probably had the biggest influence on me as kid. Although I was very young and watched her a lot in reruns, I was mesmerized by the way she transformed, by her physical comedy and the rolling laughter from the live studio audience. I loved her most as Scarlett O'Hara and her well known Cleaning Lady character.

Socialist writers are made of sterner stuff than those who only let their characters steeplechase through trouble in order to comeout first in the happy ending of moral uplift.

Strange is the influence of Marx on character.

That worries me an awful lot. If people misunderstand our intentions [in Black Snake Moan], especially regarding my character, then they're essentially exploiting an already exploited and abused woman. So it's a huge concern for me.

I think it's really great to be able to stick with a character for a long period of time. It's not like you have one shot, and that's it.

I don't think I like characters who are afraid and ashamed of who they are.

I feel like some of the best talent is on TV right now, with the writing, acting and great directors. I've also been looking for the consistency of work that TV provides for you. And, I always thought it would be really interesting to live with a character for months, if not years.

I often played the nerdy friend or the goofy sidekick or the sort of naïve movie character in some ways.

I'll always miss Mad Men, of course, but it is interesting to finally answer different questions after nine years. Not that that's a criticism to anyone, but just simply as a character for nine years, you're going to get a lot of the same questions for many, many, many years. This is sort of refreshing.

I was the nerdy one. I always played those kind of characters until Mad Men.

I'm not looking for a series. I love TV. I love developing characters over a long amount of time. I think for an actor it gives you so much material and every season it gives more background and interest and richness. So I would definitely do another series. I'm just waiting for the right thing to come along.

The red lips are - I don't want to call them "armor," but they're the clothes of my character, and I'm in the business of entertainment. Wearing red lipstick helps get me into that world.

There's a witch under this hair. The red lips are - I don't want to call them "armor," but they're the clothes of my character, and I'm in the business of entertainment. Wearing red lipstick helps get me into that world.

Fills the heart with its unforgettable characters and small-town charm. A feel-good read as welcome as a favorite friend!

The movies I've made at a certain time of my life were exactly right for the stage of my life, the frame of mind I was in at the time. Each character I've had to play has been me in that time in my life.

I know that shorter messages are better in terms of reply rate. The optimal length is something like 50 characters. Characters, not words.

Character is very much a matter of health.

Out of politics comes more uproar than progress. It is indeed surprising how little, comparatively, this noisy department of human affairs contributes to the world's prosperity. Political commotions upon the grandest scale, political events of astounding suddenness, political characters of the greatest ability, abound, but still, permanent results are rare, and we look in vain for a measure of public good corresponding in extent to the hideous rout which ushers it in. Progress but turns upon its pillow, and goes to sleep again.

There is something in the character of every man which cannot be broken in--the skeleton of his character; and to try to alter this is like training a sheep for draught purposes. GEORG CHRISTOPH LICHTENBERG, The Reflections of Lichtenberg We become familiar with the outsides of men, as with the outsides of houses, and think we know them, while we are ignorant of so much that is passing within them.

It is difficult to say which is the greatest evil--to have too violent passions, or to be wholly devoid of them. Controlled with firmness, guided by discretion, and hallowed by the imagination, the passions are the vivifiers and quickeners of our being. Without passion there can be no energy of character. Indeed, the passions are like fire, useful in a thousand ways, and dangerous only in one--through their excess.

I was born in Paris in the mid-1960s, and by the time I was 12 I had started going to the movies by myself. Most of the movies of that period never appealed to me. I didn't like the 'naturalism,' the sad or the 'down-to-earth' characters. What I wanted from film was fantasy, dreams, funny situations, extravagant decor - and beautiful women.

A house is very much like a portrait. I cannot disconnect houses from people. The thought of arrangement, the curves and straight lines. It gives an indication of the character at the heart of it.

I don't think you have to like a character, but if you can understand why they do what they do, or the position they're in or why they make certain choices, then you can get behind them.

This medium that we're working in - film and television - for an audience, it's like you live through these characters because it's things you can't do in real life. Places you're not prepared to go in real life as a decent human being, anyway. Because if you're a conscientious person, so you live kind of vicariously through these people.