Dialogue Quotes - Page 3

English dialogues are always just what you need and nothing more - like something out of Hemingway. In Italian and in French, dialogues are always theatrical, literary. You can do more with it.

We have to choose between dialogue and utter devastation.

I'm interested in character and dialogue and exchange of ideas.

I would have preferred to have been in a film where I could've been more authentic or more human, where the dialogue and my approach to the part could have been more real.

We were in dialogue that was about something other than what we were saying.

You're never alone with a book, are you? It's a dialogue.

What I seek to do is to establish the facts as I see them, or as I understand them, and to engage in constructive dialogue to get good outcomes.

Cant you see, we are in a dialogue with the universe?

What a script says that isn't dialogue is as important as the spoken word.

I think that's the most important thing: that we create dialogue.

I like to hold a monologue with women. But a dialogue with myself is more stimulating.

Liberation is an interesting word, because you can be liberated from external things, and also from your internal dialogue.

All good dialogue perhaps deals with something unprecedented.

A fool hath no dialogue within himself, the first thought carrieth him without the reply of a second.

There's something in me that just wants to create dialogue.

I've always loved the dialogue that Pedro Almodovar writes.

You can skim those stage directions and go right to the dialogue. You can almost read the movie in the same amount of time it will take you to see the movie.

I enjoy writing dialogue; it comes naturally to me.

Dialogue works the least well when it's telling you what's going on.

Something like film, I guess there are so many elements to it, like the dialogue and what makes sense culturally.

I would almost say that in our solo activities there is an overarching line of thought that is Porter Ricks itself. Our solo work delivers the details. So occasionally we have to go back to our corners and study and research these details to be able to bring it back into the Porter Ricks project, and into the dialogue.

Dialogue that's distinctive, funny, peculiar, and specific is the main thing that makes me want to get involved with a film to begin with.

I have been holding a dialogue with myself and girding myself to stand fast without running.

I've realized that the only thing I'm interested in is the performance. If the performance is right, then I'm happy. You offer up the dialogue and then the performance comes around.

My audience doesn't agree with me on everything, but I love my audience, because they're totally okay with us having a dialogue.