Distance Quotes - Page 49

Longing is the fullest sense of desire; it's the most deeply felt kind of desire. I think the most interesting artwork comes out of some sense of longing. It could be called dissatisfaction; it could be called distance. There are many kinds of wanting to get closer to something else, whether that is an idea, a body, a place. Longing is also one of the conditions people approach reading, visual art, or music with - it's to satisfy that sense of longing. It's part of my job, on some level, to grapple with that notion.

Ironman distance triathlons are a true test of oneself as a whole. Each race is a test of physical, mental and spiritual toughness that I haven't found in any other type of racing. At the end of the day, challenging myself on all levels is what it's about for me.

The way to heaven out of all places is of length and distance.

I try to make computers say things like You have 60 seconds to achieve safe distance.

I would catch sight of some flawless man off in the distance, but as soon as he moved closer I immediately saw he wouldn’t do at all.

You can only drive yourself crazy if you have no distance from the world

The bond forged between us was not one that could be broken by absence, distance, or time. And no matter how much more special or beautiful or brilliant or perfect than me he might be, he was as irreversibly altered as I was. As I would always belong to him, so would he always be mine.

With relationships, I always had a reason why some time in the future would be better for me than it was that day. When I was fat, I thought I'd feel pretty when I was thin, and when I was thin, I thought I'd be happier if I was more toned and muscular and had more money to look more coordinated. I wasn't comfortable in my own skin unless there was a man there to tell me just how radiant that skin looked. I was a victim of low self-esteem and had the Soon syndrome bad. I was running toward a brighter future, unaware of the mirages I'd created in the distance.

Are we all not, when we sit in the cinema, in the position of humans in The Matrix, tied to chairs, immersed in the spectacle run by a machine? However, a more appropriate allegory is that of the viewer himself: beneath the illusion that we "just look" at the perceived objects from a safe distance, freely sliding along them, there is the reality of the innumerable ties that bind us to what we perceive.

The big picture doesn't just come from distance; it also comes from time.

The demonstration that no possible combination of known substances, known forms of machinery and known forms of force, can be united in a practical machine by which men shall fly along distances through the air, seems to the writer as complete as it is possible for the demonstration to be.

One must distance oneself from the idea of strict realism. It seems to me that real nature doesn't exist anymore, this idea of "the wild." This is why I love parks, and why I chose to use them in my work - they are beyond nature. I see nature as a resource.

I think you only see experiences as defining moments with distance.

If you want to draw people into the story, you really have to write as if you're writing a novel and make these actually-existing people, including the actually-existing person with my name, into a believable person on the page. And that requires distance. That requires not being right up against the events you're talking about.

Humor is the healthy way of feeling "distance" between one's self and the problem, a way of standing off and looking at one's problem with perspective.

The one thing you know when you're shooting a script - and I've been on a lot of sets - is space is in a script, and the distance between the page and the stage is so enormous that it is unbelievable how even the brightest people can misread your intent or not see it altogether. Scripts have air in them. Scripts are supposed to leave things up to interpretation, but people can misread things enormously, so sometimes it's just a matter of wanting to put on the screen what you had in mind.

I would like to say that I have software that allows me to model worlds to a high degree of scientific plausibility. I'd also like to be six foot two and fifteen years into my reign as Emperor of Europa. The simple truth is that past the character's name and a long history of making my own body cover distances, I did very little in the way of targeted research.

A look at the past reminds us of how great is the distance, and how short, over which we have come. The past makes us ask what we have done with us. It makes us ask whether our very achievements are not ironical counterpoint and contrast to our fundamental failures.

Summer is the worst time of all to be alone. The earth is warm and lovely, free to go about in; and always somewhere in the distance there is a place where two people might be happy if only they were together. It is in the spring that one dreams of such places; one thinks of the summer which is coming, and the heart dreams of its friend.

Sometimes it is the person closest to us who must travel the furthest distance to be our friend.

If we ever talk to aliens, their civilisation will be far more advanced than ours (because of distances involved). They won't be religious!

More of my songs are intended to be funny than almost anyone else. Sometimes maybe it cheers me up a bit. I've got a distance from it. Sometimes what I'm writing is more important to me than the rest of my life. It's more important to me that I'm writing well than anything else.

Love doesn't hide. It stays and fights. It goes the distance, that's why love is so strong. So it can carry you all the way home.

In wartime, the degree of patriotism is directly proportional to distance from the front.

If you have distance from the events, then your story can work as an analogy or parable, rather than its literal narrative.