Emotional Quotes - Page 106

We're living in a literary age, at least in America, that is marked by a sense of distance, a coolness, in all senses of that word. To be too obviously, unapologetically emotional is to risk being considered foolish, or at the very least not serious.

Attachment parenting demands not just certain actions you take with your baby but also certain emotional states to accompany those actions.

I can look back . . . at two distinct periods of opinion whose foundations I have successively come to distrust - a period before 1919 or so, when the weight of classic authority unduly influenced me, and another period from 1919 to about 1925, when I placed too high a value on the elements of revolt, florid colour, and emotional extravagance or intensity.

No one ever wrote a story yet without some real emotional drive behind it--and I have not that drive except where violations of the natural order ... defiances and evasions of time, space, and cosmic law ... are concerned.

Music has this emotional thing to it, and it touches people in crazy ways. The power of having that power is something that, once you have it, you don't want it to ever end.

I'm happy in a silent world - well, not a silent world but one that relies on - I'm in a pretty physical actor I suppose anyway, and I just don't - I don't struggle that idea of emotional expression just because there aren't words to explain yourself.

Fashion is emotional, and the way women look at it is emotional, so it's very important to try to connect with a woman's idea of how she might feel.

It's not often that you get a chance in one role to do the glamour bit and then strip off all the makeup and reveal the real person beneath the façade. Usually, it's either a glamorous role or a raw, emotional role.

As an actress, I'm an emotional person.

I play drums, and I'd recommend it to anyone, except maybe your neighbors. It's great exercise - physical, mental, emotional, and social. It takes deep concentration but also activates concentration. If you're doing it right, it's always just a little harder than what you can actually pull off.

I watched as Humphrey Bogart’s character used beans as a metaphor for the relative unimportance in the wider world of his relationship with Ingrid Bergman’s character, and chose logic and decency ahead of his selfish emotional desires. The quandary and resulting decision made for an engrossing film. But this was not what people cried about. They were in love and could not be together. I repeated this statement to myself, trying to force an emotional reaction. I couldn’t. I didn’t care. I had enough problems of my own.

Even if I sing like a robot, it is still an emotional robot.

On issues carrying as much emotional freight as race - and there aren't many - a U.S. senator needs to speak with care and consistency. Otherwise, he could find people speaking at his own retirement tribute.

Our own lives feel so disordered and confusing, so it's amazing to me that the filmmakers caught the personal, emotional high points and low points of my life and not just the public aspects.

It used to be said that this country was a child-centered one. Nothing could be further from the truth. Children have been our lowest priority, both in economic and emotional spending.

I lot of the show's I do are low tech. This is low tech. There's a bit of high adventure here. There's difficult emotional choices. So actually this feels like a natural progression of everything I've been doing before this.

I don't remember the first image of a werewolf I saw, but I suspect it was the hybrid type, up on two legs, with long limbs, hair, claw-like fingernails and lupine head. To me there's nothing scary about complete transformation from human into wolf. Wolves aren't scary. They're dangerous, yes, but so are geese, in the wrong mood. What's scary is seeing the human in the wolf but knowing it's beyond the reach of reason or emotional appeal. That's where the horror and dread kicks in.

The whole basis of the music is that people have these emotional attachments to these songs - whether they love it or hate it. Being able to manipulate that is a really easy way to connect with people.

The word "nice" makes me break out in hives. When someone tells me that they think my work is nice I want to take knitting needles and shove them in my ear canals. I have the same almost physical reaction to the word "interesting." The word is vague enough to mean anything and nothing. Like nice, interesting means the reader had zero connection and zero emotional response to anything in the work.

I feel like I can always do better with action and I always want to push the envelope there as long as I can because I'm a physical person and I love expressing myself physically, but I'm also, on the very flipside, an extremely emotional person. I like watching the relationships and the chemistry and the relatability.

It's really amazing to be a part of something that people have an emotional response to, even though it's a network sitcom. When you get a chance to meet fans or interact with them, you realize that there are a lot of people who the show speaks to, and that they really get something out of it, beyond just laughing. That's really fulfilling.

Mads is such a talented actor - it's almost like he wears his emotions on his sleeve, but not all the time - when he decides that he needs to, he has such access to his emotional life and it is just really incredible. He can do everything with just his eyes.

Marriage is a linchpin in many womens lives, but many other things can create a satisfying life. I adore my career. It stretches every physical, emotional, and intellectual muscle I have.

Steven Barnes is uniquely powerful in helping others balance their physica and emotional arenas along a path of unifying purpose.”

The analysis of laughter had opened to me points of contact between the fundamentals of a communal and disciplined emotional knowledge and those of discursive knowledge.