Eras Quotes - Page 14

It doesn't matter if they're in front of the camera or behind the camera. I know women who are producers who are surviving on nothing but juice and almonds.

It's a new era in fashion - there are no rules.

If you walk across my camera I will flash the world your story.

Anytime it was advertised that I was going to be at a particular place, the radicals would be there, the cameras with TV news.

The act of photography is like going on a hunt in which photographer and camera merge into one indivisible function. This is a hunt for new states of things, situations never seen before, for the improbable, for information.

When an era needs it, Kamen Rider will definitely return.

A lot of people would be embarrassed to admit that they were on 'Barney', but I embrace the fact. I just had such a wonderful time doing that show. I learned what a camera and prop is, and all that. I learned my manners too, so I guess that's a good thing!

I've always been interested in the camera and the effects of it - that's what drew me to film in the first place.

There is something about this process, and about the whole 8 x 10 [camera] business, that takes it out of the arena of the snapshot, even though, of course, I'm always desperate for that feeling. I wanted those family pictures to look effortless. I wanted them to look like snapshots. And some of them did.

By nature, I am a low-key person and like being behind the camera.

I'm working 2 days a week right now, narration usually on Wed., and host on camera on Friday.

Camera-Phones are at the root of the Citizen-Journalism revolution.

I think a lot of great male comic actors are introspective, quiet personalities, which I really admire. But they are really able to turn it up when the camera's on.

When you see what you express through photography, you realize all the things that can no longer be the objectives of painting. Why should an artist persist in treating subjects that can be established so clearly with the lens of a camera?

The camera is much more than a recording apparatus, it is a medium via which messages reach us from another world.

My main camera is a Nikon D3. I use a French camera from the 1800s for wet plate photography, I use a Hasselblad sometimes. But to me the camera really doesn't matter that much. I don't have a preference for film or digital.

Photographs also show the way that the camera sees. It's not just me or you or anybody else. The camera does something that is different from our own setting.

I think we are in this era right now where every element in a webpage is rendered to within an inch of its life. I think if it's a button, it looks like a physical button, you know, if it's a mailbox that's meant to signal a messaging functionality then the whole mailbox right down to the rivets on the hypothetical metallic housing is rendered.

No matter how advanced your camera you still need to be responsible for getting it to the right place at the right time and pointing it in the right direction to get the photo you want.

The camera is my means to internalize those fleeting epiphanies that I was having in my life.

I think you can say a lot with the movement of your camera but you can also say a lot by keeping it still.

In the post-individualistic era, science and spirituality will become allies, and human beings will realize a vast potentiality now only dimly felt.

When i've done camera test, after we've shot and I've seen the monitor with the glasses (wearing a Kimono) and looking by myself in 3D. Oh my god. Especially for a Samurai film. I've never seen that. It's kind of a culture shock.

The camera can be a machine gun, a warm kiss, a sketchbook. Shooting a camera is like saying, Yes, yes, yes. There is no maybe. All the maybes should go in the trash.

I play myself all the time, on camera and off. What else can I do?