Of course I didn't pioneer the use of food in fiction: it has been a standard literary device since Chaucer and Rabelais, who used food wonderfully as a metaphor for sensuality.
Writing fiction is for me a fraught business, an occasion of daily dread for at least the first half of the novel, and sometimes all the way through. The work process is totally different from writing nonfiction. You have to sit down every day and make it up.
Life has no plot, why must films or fiction?
I don't know what issues concerning identity have helped contemporary fiction evolve to what it is now. All I know is that the range of voices that are being heard and published is a lot more diverse than when I was coming up.
I get offered a lot of science fiction work and there is a new project in the pipeline called Master Race, set in World War II, but thats a little way off yet.
Film fixes a precise visual image in the viewer's head. In fiction, you just hope you're precise enough to convey the intended effect.
Imbuing fiction with a life that extends beyond the last word is in some ways the goal: the ending that goes beyond the ending in the reader's mind, so invested are they in the story.
Part fact part fiction is what life is. And it is always a cover story. I wrote my way out.
If you want to make a documentary you should automatically go to the fiction, and if you want to nourish your fiction you have to come back to reality.
If you make a movie about Elizabeth I, how much of the dialogue is her real words? Audiences know when they go see a movie that it is fiction.
There used to be a category called women's fiction - meaning not too rude, not too much sex, a bit domestic and internal. Women have changed so much. We're so varied. And we've become more interested in the same varied experience in fiction.
[T]he one indispensable ingredient of science fiction [is] a belief in a world being changed by man's intellect, a conviction that what was being written could really happen.
I think I'm out of crime fiction now, and I think the dividing line is American Tabloid.
But Roy Rockwood, it was science fiction for the sake of science fiction.
In every other science fiction series, humans are at the top of the food chain. In the 'Babylon 5' universe, they're in the bottom third.
As you see, I do not treat the creation of fiction, that to say the invention and development of fantasies,as a form of abstract thought. I dont wish to deny the uses of the intellect,but sometimes one has the intuition that the intellect by itself will lead one nowhere.
I tend to resist invitations to interpret my own fiction.
The entertainment medium of film is particularly tuned to the present imaginations of people at large. A lot of fiction is intensely nostalgic.
I think Junior is certainly a science fiction premise as is Twins, as is Dave, beyond Ghostbusters.
you can tell the deepest truths with the lies of fiction
I tend to read more nonfiction, really, because when I'm writing I don't like to read other fiction.
Anyone can write a specification, but if nobody implements it, what is it but a particularly dry form of science fiction.
I believe that reality TV should be called 'not reality' TV; it's fiction.
The biographies and autobiographies are on the whole more impressive than the fiction of the last two decades, but the freakish best sellers among them are least likely to withstand the test of time.
In my early teens, science fiction and fantasy had an almost-total hold over my imagination. Their outcast status was part of their appeal.