I try to keep my confidence on the charts, but I'm a confident guy as well. You've got to be that way. If you don't think that you're the best, then you won't perform that way.
I want to be one of the guys, but I also want to be 'the' guy, the guy that can go out there and they can rely on in crunch time. I'm going to be the guy that they know will show up every day, every game, every play and show up on a consistently great level.
Sometimes people think it's what you say when you're in a huge group that makes you a leader. But sometimes it's the one-on-one conversations you have with guys individually, just getting to know them. I think I've done that a lot. Not intentionally - it just happens.
Everyone knows drones are being deployed outside the US for assassinations. Let's say you even believe in drones. Shouldn't we have a system that would "justify" their use? i.e. we did this attack, because these bad guys were there, and here's what we did. We don't even have that.
Where's there's money involved, there are no good guys.
Osama bin Laden is very shrewd. But he struck me, even in 1997, as being remarkably out of touch. I remember thinking this does not look like the type of guy who walks to the top of a mountain with a mobile phone and says, "Operation B, attack."Now he is America's number one enemy. He's always wanted to be that.
I trained with a guy named Tito Gobbi, who was the Marlon Brando of the opera world. Tito Gobbi was the greatest singing baritone in the opera world and I studied in Florence, Firenze, with him. That was my first love, as it was Frank Sinatra's, oddly enough.
Some things I won't do for any amount of money. That's so demoralizing and goes against every principle that I hold. It's like, okay, some rich people can buy me because I'm a talented guy. They can buy talent. You can't buy it for yourself, but you can buy other people's talent to serve your purposes. And once an artist does that, he becomes like a plaything of the rich. You know, some of these wealthy collectors have paid lots of money for artwork that I already did, but I didn't do it with the intention of catering to them.
I couldn't find any good pictures in magazines of ordinary modern street corners in America, so I persuaded this guy I knew in Sacramento - Stanley Something-or-other - to spend a day with me driving around just to take snapshots.
I learned my realism from guys like Kafka.
You can use a biography to examine political power, but only if you pick the right guy.
Probably your first agent is going to be some guy who also handles dog acts.
I was an adjunct. I never got tenure, never had it. I was a professor, though. But I never got tenure. I never really wanted tenure, to tell you the truth. Really wasn't - the guys who got - the tenured people were some of, like, the least interesting. And they were people I didn't really like very much anyway.
I was never that big a rock-and-roll, rock guy. I really preferred jazz, you know, that kind of thing.
I loved music. Music was a big thing and so I started collecting records. I had a large collection of jazz records and that was something else I used to listen to. At night, there was a - what the heck was his name? There was a famous - Jazzbo Collins, I used to listen to at night, and some other guys.
I'm getting more and more into Chinese art and Japanese, some of those scroll paintings are amazing. You follow the change of the seasons. It's really something. These guys were great masters and of course the use of space.
I'm on good form. I'm an older guy. I feel healthy, I've been training, I'm looking after myself, I get up early. I look after the dogs. I'm happy.
I actually knew Sully's sister, and I was in a band called Stripmind, and then I became roommates with Sully and being out of a band, he asked if I wanted to join in his. Tony was originally the second guitarist in the band; a guy by the name of Lee Richards was the first. The rest is pretty much history.
I had never thought about being a professional fighter but meeting Pat [ Militich ] and the guys just pushed me in that direction.
Most people are in marriages, and there are very few movies made about what it really is like to be married for a length of time. You always show the romantic part and all that. Or the divorce, and the horrible split, and the guy's having an affair, or she's having an affair, and they're going to get split up, whatever. But very few people just look at what actually happens in a marriage.
[On "John F. Kennedy" set] everybody was very interested in the accent. Even my collaborators were very curious to know if I was even going to do it. And I was, like, "You just can't not do it." I think everybody was worried that it was going to sound like the guy from... is it The Simpsons?
I just had such a blast coming up with this corporate dweeb [in the Sex Tape], a sort of nerd who was also doing coke and listening to death metal and was obsessed with Walt Disney art. I just felt it was a type of guy you hadn't really seen before, and I was so happy with how it came out.
The last thing we wanted was a copycat. When we saw [Richie Faulkner] play, we thought, "We don't have to tell this guy anything. He's got it."
I'm a 6 AM guy. I get up at 6 AM every morning so I can knock out my email, phone calls and start the day.
In high school, I definitely fancied myself an intense guy, which is so lame.
