Hands Quotes - Page 340

[T]he kingdom of heaven is of the childlike, of those who are easy to please, who love and who give pleasure. Mighty men of their hands, the smiters and the builders and the judges, have lived long and done sternly and yet preserved this lovely character; and among our carpet interests and twopenny concerns, the shame were indelible if we should lose it. Gentleness and cheerfulness, these come before all morality; they are the perfect duties.

You're either my ship's cook-and then you were treated handsome-or Cap'n Silver, a common mutineer and pirate, and then you can go hang!

Tuon's eyes snapped open, and despite the dim light, she focused directly on Mat. She saw the knife in his hand, ready to throw. Then she looked over her shoulder.

It has been quite a weight, hasn't it?" Tam asked. "What weight?" Rand replied. "That lost hand you've been carrying." Rand looked down at his stump. "Yes. I believe it has been at that.

If you have a sword, and the Aielman has his bare hands, it is an even fight. If you're good.

Does it make you brave to stick your hand in a bear's mouth? Would you do it again just because you didn't die?

The Light willing, we will see one another again," Rand said. He held out his hand to Perrin. "Watch out for Mat. I'm honestly not sure what he's going to do, but I have a feeling it will be highly dangerous for all involved." "Not like us," Perrin said, clasping Rand's forearm. "You and I, we're much better at keeping to the safe paths.

The corpse's hand reached up and grabbed Shaisam by the throat. He gasped, thrashing, as the corpse opened its eye. "There's an odd thing about disease I once heard, Fain," Matrim Cauthon whispered. "Once you catch a disease and survive, you can't get it again.

When you saw me with a dagger in hand - as if to throw at you - you didn't call for your guards. You didn't fear I was here to kill you. You looked over your shoulder to see what I was aiming at. That's the most loving gesture I think a man could receive from a woman. Unless you'd like to sit on my knee for a while.

Everything that would be said against the Eixample's heirs, from Le Corbusier's 'ville radieuse' to Oscar Niemeyer's Brasilia, was already said, with far less justice, about the Eixample itself. And all its critics concurred that the basic mistake was to have left the planning of a city in the hands of a socialist.

The best way is to forget doubts and set about the task in hand. . . .

The May-pole is up, Now give me the cup; I'll drink to the garlands around it; But first unto those Whose hands did compose The glory of flowers that crown'd it.

Here a little child I stand, Heaving up my either hand; Cold as paddocks though they be, Here I lift them up to Thee, for a benison to fall on our meat, and on us all. Amen.

Power brings a man many luxuries, but a clean pair of hands is seldom among them.

Adam Smith's uncritically enthusiastic modern disciples portray his invisible hand theory as saying that market forces reliably harness selfish individuals to serve the common good. That's often true, but as Darwin recognized clearly, many traits that serve the interests of individual animals make life more difficult for larger groups.

My job is to build that belief in every coach and every owner, that they can put the franchise in my hands and I can take it uphill from there. Obviously, everyone wants to be No. 1, but I'm not going to campaign. I'm just going to go out and show what I've got.

When we hear a Mozart piano concerto today, we're most likely to hear the piano part played on a modern concert grand. In the hands of a professional pianist, such a piano can bury the strings and the winds and hold its own against the brass. But Mozart wasn't composing for a nine-foot-long, thousand-pound piano; he was composing for a five-and-a-half-foot-long, hundred-and-fifty-pound piano built from balsa wood and dental floss.

Not one of the orthodox ministers dare preach what he thinks if he knows a majority of his congregation think otherwise. He knows that every member of his church stands guard over his brain with a creed, like a club, in his hand. He knows that he is not expected to search after the truth, but that he is employed to defend the creed. Every pulpit is a pillory, in which stands a hired culprit, defending the justice of his own imprisonment.

The hands that help are better far / Than lips that pray. / Love is the ever gleaming star / That leads the way, / That shines, not on vague worlds of bliss, / But on a paradise in this.

Poet, never chase the dream. Laugh yourself and turn away. Mask your hunger, let it seem Small matter if he come or stay; But when he nestles in your hand at last, Close up your fingers tight and hold him fast.

Where nature with accustomed round Sweeps and garnishes the ground With kindly beauty, warm or cold Alternate seasons never old: Heathen, how furiously you rage, Cursing this blood and brimstone age, How furiously against your will You kill and kill again, and kill: All thought of peace behind you cast, Till like small boys with fear aghast, Each cries for God to understand, 'I could not help it, it was my hand.

When the immense drugged universe explodes In a cascade of unendurable colour And leaves us gasping naked, This is no more than the ectasy of chaos: Hold fast, with both hands, to that royal love Which alone, as we know certainly, restores Fragmentation into true being. Ecstasy of Chaos

The Indian danced on alone. The crowd clapped up the beat. The Indian danced with a chair. The crowd went crazy. The band faded. The crowd cheered. The Indian held up his hands for silence as if to make a speech. Looking at the band and then the crowd, the Indian said, "Well, what're you waiting for? Let's DANCE.

A name with meaning could bring up a child, Taking the child out of the parents' hands. Better a meaningless name, I should say, As leaving more to nature and happy chance. Name children some names and see what you do.

The Armful For every parcel I stoop down to seize I lose some other off my arms and knees, And the whole pile is slipping, bottles, buns, Extremes too hard to comprehend at. once Yet nothing I should care to leave behind. With all I have to hold with hand and mind And heart, if need be, I will do my best. To keep their building balanced at my breast. I crouch down to prevent them as they fall; Then sit down in the middle of them all. I had to drop the armful in the road And try to stack them in a better load.