Hot Quotes - Page 17

It is so much better to get the right exposure than to have to mess around later with Photoshop.

That [photographs] disturb readers is exactly as it should be: that's why photojournalism is often more powerful than written journalism.

I like taking photographs, because I like life. And I like photographing people best of all, because most of all I love humanity.

To photograph is to hold one's breath, when all faculties converge to capture fleeting reality. It's at that precise moment that mastering an image becomes a great physical and intellectual joy.

I'm not responsible for my photographs. Photography is not documentary, but intuition, a poetic experience. It's drowning yourself, dissolving yourself, and then sniff, sniff, sniff - being sensitive to coincidence. You can't go looking for it; you can't want it, or you won't get it. First you must lose your self. Then it happens.

I'd very much like to create my own style as a photographer, even if it's just for myself.

Painting is the most magical of mediums. The transcendence is truly amazing to me every time I go to a museum and I see how somebody figured another way to rub colored dirt on a flat surface and make space where there is no space or make you think of a life experience.

Looking and seeing are two different things. What matters is the relationship with the subject.

The beauty of women was the first expression of my photography.

Videos are more like photography. It's not as much about trying to tell a story as it is creating images.

Of all human activities, writing is the one for which it is easiest to find excuses not to begin – the desk’s too big, the desk’s too small, there’s too much noise, there’s too much quiet, it’s too hot, too cold, too early, too late. I had learned over the years to ignore them all, and simply to start.

What's the point of getting killed if you've got the wrong exposure?

A portrait is not a likeness. The moment an emotion or fact is transformed into a photograph it is no longer a fact but an opinion. There is no such thing as inaccuracy in a photograph. All photographs are accurate. None of them is the truth.

I think photography was inside me. Once I found it, it became stronger than me and I took refuge in it.

I do not have to forgive my enemies, I have had them all shot.

Don't let the bad shots get to you. Don't let yourself become angry. The true scramblers are thick-skinned. And they always beat the whiners.

Photography, fortunately, to me has not only been a profession but also a contact between people - to understand human nature and record, if possible, the best in each individual.

I gravitate towards places where humans have been and are no more, to the edge of man's influence, where the elements are taking over or covering man's traces.

Traditionally, photography is supposed to capture an event that has passed; but that is not what I'm looking for. Photography brings the past into the present when you look at it...

Through a portrait, we can potentially see everything — the history and depth of a person's life, as well as evidence of a primal universal presence. I have dedicated my life and creative energy to capturing these transcendent moments in which a connection is made between the subject, the photographer, and the viewer.

All photographs are there to remind us of what we forget. In this - as in other ways - they are the opposite of paintings. Paintings record what the painter remembers. Because each one of us forgets different things, a photo more than a painting may change its meaning according to who is looking at it.

I wish more people felt that photography was an adventure the same as life itself and felt that their individual feelings were worth expressing. To me, that makes photography more exciting.

The camera cannot lie, but it can be an accessory to untruth.

I don't trust words. I trust pictures.

I can go into the wilderness and not see anyone for days and experience a kind of space that hasn't changed for tens of thousands of years. Having that experience was necessary to my perception of how photography can look at the changes humanity has brought about in the landscape. My work does become a kind of lament.