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Imagination Quotes - Page 105

The loss of liberty which must attend being a wife was of all things the most horrible to my imagination.

Sarah Fielding, Jane Collier (fl. 1753) (1754). “The cry: a new dramatic fable : in two volumes”, p.80

avarice is especially, I suppose, a disease of the imagination.

Sara Coleridge Coleridge (1873). “Memoir and Letters of Sara Coleridge”, p.131

Finally, good sense is the body of poetic genius, fancy its drapery, motion its life, and imagination the soul that is everywhere and in each; and forms all into one graceful and intelligent whole.

Samuel Taylor Coleridge (2015). “The Complete Works of Samuel Taylor Coleridge: Poetry, Plays, Literary Essays, Lectures, Autobiography and Letters (Classic Illustrated Edition): The Entire Opus of the English poet, literary critic and philosopher, including The Rime of the Ancient Mariner, Kubla Khan, Christabel, Lyrical Ballads, Conversation Poems and Biographia Literaria”, p.1465, e-artnow

I have often been surprised that Mathematics, the quintessence of Truth, should have found admirers so few and so languid. Frequent consideration and minute scrutiny have at length unravelled the cause: viz . that though Reason is feasted, Imagination is starved; whilst Reason is luxuriating in its proper Paradise, Imagination is wearily travelling on a dreary desert.

Samuel Taylor Coleridge (2015). “The Complete Works of Samuel Taylor Coleridge: Poetry, Plays, Literary Essays, Lectures, Autobiography and Letters (Classic Illustrated Edition): The Entire Opus of the English poet, literary critic and philosopher, including The Rime of the Ancient Mariner, Kubla Khan, Christabel, Lyrical Ballads, Conversation Poems and Biographia Literaria”, p.4115, e-artnow

Genius must have talent as its complement and implement, just as in like manner imagination must have fancy. In short, the higher intellectual powers can only act through a corresponding energy of the lower.

Samuel Taylor Coleridge, Henry Nelson Coleridge (1854). “The complete works of Samuel Taylor Coleridge: With an introductory essay upon his philosophical and theological opinions”, p.481

The poet, described in ideal perfection, brings the whole soul of man into activity, with the subordination of its faculties to each other according to their relative worth and dignity. He diffuses a tone and spirit of unity, that blends, and (as it were) fuses , each into each, by that synthetic and magical power, to which I would exclusively appropriate the name of Imagination.

Samuel Taylor Coleridge, May Byron, William Hazlitt, James Gillman (2015). “Samuel Taylor Coleridge: The Man Behind The Lyrics (Illustrated Edition): Autobiographical Works (Memoirs, Complete Letters, Literary Introspection, Thoughts and Notes on Poetry); Including Extensive Biographies and Studies on S. T. Coleridge”, p.125, e-artnow

The Beautiful arises from the perceived harmony of an object, whether sight or sound, with the inborn and constitutive rules of the judgment and imagination: and it is always intuitive.

Samuel Taylor Coleridge (1880). “Miscellanies, æsthetic and literary: to which is added The theory of life, collected and arranged by T. Ashe”

Men and women are brothers and sisters; they are not of different species; and what need be obtained to know both, but to allow for different modes of education, for situation and constitution, or perhaps I should rather say, for habits, whether good or bad.

Samuel Richardson, Sir Richard Phillips (1804). “The Correspondence of Samuel Richardson, Author of Pamela, Clarissa, and Sir Charles Grandison: Selected from the Original Manuscripts, Bequeathed by Him to His Family, to which are Prefixed, a Biographical Account of that Author, and Observations on His Writings”, p.263

Romances in general are calculated rather to fire the imagination, than to inform the judgment.

"A collection of the moral and instructive sentiments: a facsimile reproduction".

An acquaintance with the muses, in the education of youth, contributes not a little to soften manners. It gives a delicate turn to the imagination and a polish to the mind.

Samuel Richardson (1980). “A collection of the moral and instructive sentiments: a facsimile reproduction”, Scholars Facsimilies & Reprint