Imagination Quotes - Page 111

A novel is a relationship, you know? When you read a book, the writer has done half the work, and you're doing half the work. You're providing the imagination, the words are turning into pictures in your mind, there's an active relationship that's going on.

Take imagination breaks... Relaxed attention is one of the most important states of mind for creativity, and sometimes it has to be learned.

When you are young your imagination is so clear.

There is an arc of spontaneous revolts, beautiful in their creative beginnings, which traverses boundaries and borders and creates new solidarities and imaginations but which under the whip of the forces of order and strategies to buy-off sectors of the revolt becomes fragmented.

I feel really strongly about not wanting to overly guide the reader about what he or she should think. I really trust the reader to know for themselves and not to need too much. You have your own imagination, your own experiences, your own feelings, and a novel wants ultimately to ask questions. It doesn't assert anything, or shouldn't, I think.

My parents thought it was nice to develop my imagination, but they never seriously thought that anything would ever come of it. They said that I couldn't be an actress because I would be taller than all my leading men, so I thought I would be a writer instead.

Every parent knows this moment in a child's age when he or she needs your attention in a very specific way because it's the beginning and ending of the early life of imagination. It's such a responsibility.

My daughter has a vivid imagination, and so does my son.

Imagination is the mad boarder.

It's better to find a composition through an instrument and to play it and record it because you have something. It's a composition, and the song is good. It lives as a song. The worst is when you have a song and nothing is working well when you produce it. It's not like what you expect in your imagination. It's the worst because it requires a lot of work.

I want to try to apply my abilities sometimes to make families happy, so I have to make movies at a venue that are not gratuitously violent, that are not using bullets and bloodshed, but are using things like magic and fantasy and enchantment and the imagination. To me that's just all positive stuff. But I am eclectic and I still like to make movies for the midnight audience as well.

I know there's been a lot that's been said about animated voice work, as though it's 'you can do this in your jeans and there's no camera and no pressure there. It's no big deal. It's easy.' The truth is, it's really a great test: how deep is your ability is to access your imagination?

Often you hear stories about never working with children. I disagree because children still have that residual magical thinking. They haven't had their imagination knocked out of them by turning into adults and life experiences.

Science fiction is a way that I can go into the abstract, go into the imagination, and audiences are still willing to go along for the ride.

...So please, be tolerant of those who describe a sporting moment as their best ever. We do not lack imagination, nor have we had sad and barren lives; it is just that real life is paler, duller, and contains less potential for unexpected delirium.

Reciprocation was a pretty powerful stimulant to the imagination.

That'’s a way to increase the realism to the reader, if you want to get technical - you leave it [character] vague and you let the reader fill in the blanks with their imagination.

Filmmaking is like playing in your imagination and getting paid to do it. I guess I'll ride this horse until it bucks me.

A filmmaker has to have great vision in order to tell a compelling story that is both distinctive and stylistic. I remember playing all movies in my head hundreds of times before they were ever made. You have to see it in your imagination. It has to be real to you.

Possibilities are completely different. When you ask 'what is possible?' you must stretch your imagination out of the confines of the familiar. To live a life beyond the mediocre, ask not 'what are my options?' but 'What is possible?'

The world is more outlandish than some people’s imaginations.

As long as you have imagination, you never need to work. You never get bored. You could just walk around and go to museums and check out new movies. You could be busy in New York city for 10,000 years.

When you're starting off as a young writer, you look at all the stuff that's gone before and the stuff that's influenced you, and you reach the ladle of your imagination into this bubbling stew pot of all of this stuff, and you pour it out. And that's where you start from.

Why do I have this imagination? It's the only one I've got!

Forever is longer than you know. Eternal is longer than Forever. God is more than you imagine. God is the energy you call imagination. God is creation. God is first thought. And God is last experience. And God is everything in between.