Landscape Quotes - Page 2

I have always believed that a single talented analyst, working very hard, can cover an amazing amount of investment landscape, and this belief remains unchallenged in my mind.

The fake Zionist [regime] will disappear from the landscape of geography.

Now I really feel the landscape, I can be bold and include every tone of pink and blue: it's enchanting, it's delicious, and I hope it will please you.

The great stillness in these landscapes that once made me restless seeps into me day by day, and with it the unreasonable feeling that I have found what I was searching for without ever having discovered what it was.

We are all of us walking communities of bacteria. The world shimmers, a pointillist landscape made of tiny living beings.

The landscape everywhere, away from the river, is of rock - cliffs of rock; plateaus of rock; terraces of rock; crags of rock - ten thousand strangely carved forms.

Large department stores, with their luxuriant abundance of canned goods, foods, and clothing, are like the primary landscape and the geometrical locus of affluence. Streets with overcrowded and glittering store windowsthe displays of delicacies, and all the scenes of alimentary and vestimentary festivity, stimulate a magical salivation. Accumulation is more than the sum of its products: the conspicuousness of surplus, the final and magical negation of scarcitymimic a new-found nature of prodigious fecundity.

I can use the camera to make a place or landscape; the camera to a greater extent projects rather than takes in or reproduces. The camera, or, rather, the eye, produces the impression of the place: I as a photographer am not passively taking in; I am active as a subject generating the object.

My hope is that the music creates a strange, beautiful, overwhelming - sometimes even frightening - landscape, and invites you to get lost in it.

Any landscape is a condition of the spirit.

You must have something new in a landscape as well as something old, something that's dying and something that's being born.

abroad it is our habit to regard all other travelers in the light of personal and unpardonable grievances. They are intruders into our chosen realms of pleasure, they jar upon our sensibilities, they lessen our meager share of comforts, they are everywhere in our way, they are always an unnecessary feature in the landscape.

I want your first trip to be with me. I want to show you cities and landscapes and teach you how to look at things in new ways and how to get along in places you don't already know inside out. I want to put some life in you.

The vivacity and brightness of colors in a landscape will never bear any comparison with a landscape in nature when it is illumined by the sun, unless the painting is placed in such a position that it will receive the same light from the sun as does the landscape.

An image of the earth, its landscapes, directly affects people. The beauty of the earth creates enormous emotion, and through that emotion, you can transmit knowledge and raise consciousness

For me a work of art must be an elevated interpretation of nature. The search for the ideal has been the purpose of my life. In landscape or seascape, I love above all the poetic motif.

In the landscape of extinction, precision is next to godliness.

In a landscape where nothing officially exists (otherwise it would not be 'desert'), absolutely anything becomes thinkable, and may consequently happen.

The landscape becomes human, becomes a thinking, living being within me. I become one with my picture...we merge in an iridescent chaos.

The suburban landscape is alien and strange and exotic. I photograph it out of longing and desire. My photographs are also about repression and internal angst.

But I'll try to immerse myself in as many of the formal characteristics of site as possible in the landscape.

It's a landscape that has to be seen to be believed. And, as I say on occasion, it may have to be believed in order to be seen.

I'm not just interested in the pictorial aspects of the landscape - see a pretty place and try to paint it - but in some way to manage it, manipulate it, or see what I can turn it into.

One ends up with a landscape one has never seen before but it is presumably the landscape you were feeling as you started the painting.

If you get the landscape right, the characters will step out of it, and they'll be in the right place.