When you're listening to a recording, you're supposedly listening to some aspect of the past in the present as you travel slowly into the future, but you also know there's a very strong likelihood that the future of that recording, whether you made it or whether you're listening to a Led Zeppelin record, is going to continue probably far beyond where you are.
I used to teach psychology, and I don't do that anymore. I teach spirituality. And the way that I teach now is just by listening. I listen a lot.
The way that I teach now is just by listening. I listen a lot.
From this hour I ordain myself loos'd of limits and imaginary lines. Going where I list, my own master, total and absolute. Listening to others, and considering well what they say. Pausing, searching, receiving, contemplating. Gently but with undeniable will, divesting myself of the holds that would hold me.
What connects architecture and music is that neither one is really an object. It's more like an ambience, a surrounding and a context. You can do other things while you're listening to music and of course, you can do other things while you're in the middle of architecture. The notion of multi-attention seems to me like it's the keynote to the beginning of the 21st century.
The main thing about improvising is listening so if something happens that wasn't expected and you know your character, you know what has to happen in this scene, you can react to that in a way that's honest and it might take you in a different direction to go to the same place.
I don't even listen to music when I'm off tour.
Beyond that, it gets down to the nuts and bolts of discipline - not a tradition or genre, I don't care about that, actually - but discipline in the sense of just working on music and working on thinking about music. It doesn't matter if it's jazz or not. It's about how we listen, how we interact, how we guide our attention when we're listening, and how we can refine what we're doing musically.
Electronic technology has been a part of music making and music listening for a century. We always treat it like it's new, and cutting edge, but it's actually omnipresent, so we should just treat it as part of the arsenal today.
My concern with this approach is that music becomes a substance devoid of people. It's a consumer model of what music is: subjects listening to objects. For me, music is subjects listening to subjects. It's about intersubjectivity.
We think of music as this substance that flows - you turn on the tap, and there it is, streaming off your computer - but that's not how we evolved as a species. We evolved to listen to each other, and the reason we're able to listen to music in the terms is talking about is because we're really good at listening to each other. But this kind of technology has allowed us to forget that music is the sound of each other.
Being the recent accessibility of rare vinyl and cassette music via blogs, as well as the digital backlash which is driving more people to crave the tangible - most of these minimal wave releases are hand-numbered vinyl editions, which adds another level to the listening experience. They can listen to an LP and it's there for them to look at, examine its cover art, and hold whilst buying and downloading music in digital form remains such an ephemeral experience.
Listening to albums and records is not the best way to percept Verka Serduchka. Live shows are the place where you can feel that specific atmosphere, that is not going to be the same ever.
I've always listened to jazz or folk or blues. I was always listening to the prophets. I don't really go for...I don't know how to say anything about the singles scene without slamming people.
I'm a child of the 80s so I grew up listening to an awesome variety of music. John Cougar Mellencamp, Tom Petty. I've always loved Elvis Presley and Kenny Rogers. Beastie Boys made me start making music.
When I'm in the mood to listen to music, I do like to go to the SkyBar [ L.A.].
When I am able to be present, listening - really listening - to a viewpoint described through someone else's lens, I am here in the now and alive.
How can you have any regret when everything worked out fine? But why I think it worked out fine is due to the lessons I learned along the way. And one of those involves listening to experts.
For any budding cricketers listening, do you have any superstitious routines before an innings, like putting one pad on first and then the other one?
I think that it's high time that the Prime Minister stopped making excuses for bad policy and started listening to the forgotten families of Australia.
You hope people are going to be listening to you after you're gone. And they like you better after you're gone.
I don't really like listening to the radio so much.
Im a huge fan of Joe Walsh and a big James Gang fan. A lot of what I know about playing the guitar I learned from listening to him.
I find myself more affected by music the more I do it. Particularly when you're touring and you're in the bus and you're listening to loads of music. Life becomes far more dramatic, I guess - you're never in the same place, you're constantly meeting new people. You almost become more sensitized to music.
I love listening to new stuff, at home in LA I always have the radio on to hear what is happening.