Long Quotes - Page 310

We rehearsed our 'Scarface' to the nines. Long period of rehearsal, so that by the time we started to shoot, it was almost like doing a play. We all had a grand time doing it. It was a wonderful cast.

Long before I had money, my passion for cars was there.

The only sensible way to regard the art life is that it is a privilege you are willing to pay for... You may cite honors and attentions and even money paid, but I would have you note that these were paid a long time after the creator had gone through his struggles.

We are trying to evoke and reinforce meanings from the spaces we cover and the times we're given. Short or long this becomes our purpose. What we artists do is important stuff.

Living things have been doing just that for a long, long time. Through every kind of disaster and setback and catastrophe. We are survivors.

The situation in Iraq will be long, it will be expensive and it will be difficult. But in the end, Iraq will very much be worth it.

The artist's talent sits uneasy as an object of public acclaim, having been so long an object of private despair.

What you feel in Japanese poetry is always entirely longing.

In art and science we are now in a delta, at the end of the long flow of progress. In a delta there is no clear direction but there may be many choices. The best we can do is to enjoy the choices that we have and to be genuinely and creatively eclectic.

My early work is politically anarchist fiction, in that I was an anarchist for a long period of time. I'm not an anarchist any longer, because I've concluded that anarchism is an impractical ideal. Nowadays, I regard myself as a libertarian.

If a thing's worth doing, it's worth overdoing. (Lazarus Long)

Men are expendable; women and children are not. A tribe or a nation can lose a high percentage of its men and still pick up the pieces and go on ... as long as the women and children are saved.

I miss your love, I miss your touch But I'm feeling you every day. And I can almost hear you say You've come a long way baby.

If people see me in some sort of niche, then that's fine. As long as it's not "The Naked Guy." I don't care.

You're hungry for the infinite and the infinite is hungry for you.

I realize there are few sectors that can do what philanthropy does, which is look at big problems, take a long term view, try to develop strategies for addressing the root causes and then go about solving them.

It goes back a long way. I wanted to make Tristan + Isolde as my second movie. My first movie was The Duellists. And I was standing in a very romantic part of France looking around me thinking, "My God, this would be perfect for Tristan," and to cut a long story short it never happened because I did Alien instead.

What you do, is you gradually become more and more experienced, and more and more realistic about dramatic tolerance, i.e. about how long the play should be.

Juno: "The heroes of olympus must unite! After your victory over kronos in manhattan...well I fear that wounded jupiter's self-esteem." Percy: Cause I was right and he was wrong" Juno: "He should be used to that after being married to me so long, but alas.

Texas has long been known as the nation's largest energy producer, but we are equally proud of our distinction as the nation's leading energy innovator.

I just really longed to do music that reflected me as an adult and music that I thought was for other adults.

Look, don’t get me wrong. I worship the ground this guy walks on. I’m excited to meet him tonight. I’m dying to meet him tonight. If he wanted to carry me off and make me his love slave, I’d do it, so long as I got advance copies of his books.

Kill me, Doug. Just kill me now. Put me out of my misery.” “Christ, Kincaid, what did you say to him?” murmured Doug. “Well,” I told Doug, “I ripped on his fans and on how long it takes for his books to come out.” Doug stared at me, his expectations exceeded. “Then I said—not knowing who he was—that I’d be Seth Mortensen’s love slave in exchange for advanced copies of his books.

Later, I would ask Shaya to help me compose a formal response to Katrice's letter, something a long the lines of "I am the Thorn Queen. F*** Off.

He had lived and acted on the assumption that he was alone, and now he saw that he had not been. What he had done made others suffer. No matter how much he would long for them to forget him, they would not be able to. His family was a part of him, not only in blood, but in spirit.