When I look at the objects that I draw, it seems to me so obvious about the contemporary world - these are our world.
Maybe it has something to do with being a reporter for a long time that I don't look to newspapers and television and so forth for inspiration most of the time.
It has been a difficult road this year, but still I look at every day as a new opportunity.
What it is is that comedy is underrepresented in every actor's life, because it's so bloody difficult to write. Anyone can write, and then you leave it to special effects to make it look good. But comedy, you've got to do some writing.
You must always steal, but only from the best people. Steal any trick that looks worthwhile. If you see Vivien Leigh or Robert DeNiro or Meryl Streep do something stunningly effective, and you can analyze how he or she did it, then pinch it. Because you can be sure that they stole it in the first place.
A lot of movie stars are not great actors; they're just very good-looking. And when they start to age and they don't have the looks any more, then it's over.
I feel like 35. At 35 you're old enough to know something and young enough to look forward to what you can do with the knowledge. So I stayed at 35!
Many people live alone and like it, but most of them live alone and look at it.
As I look back, I understand what [the record company] was getting at. They were trying to market a record and make it as commercially acceptable as possible. It hurt me and my credibility with critics.
You don't make spending decisions, investment decisions, hiring decisions, or whether-you're-going-to-look-for-a-job decisions when you don't know what's going to happen.
Men always want to look like themselves, just a little bit better.
I want to look at my audience and see all walks of life. I want to do something for everybody.
As an actor, you never want to feel like a tool. You never want to feel like, "Hey, just come here, say this, stop here, look this way," and that's it. You want to have a little input.
Working with [Kyle Chandler] in the scene was like playing tennis. You work with really talented actors, I think they make other actors look really, really good.
I think it's just easier for people to put you in a box or a lane because you look similar. I think that's unfair for anybody in any situation.
You don't look so much like a great hero,' Jarrah said. 'I'm pretty sure I'm not,' Mack said wearily. 'My throat is hoarse from screaming in terror. I don't think heroes have that problem.
I could look in everyone's faces and see them reflecting on how much time has passed and all the things we went through.
Everybody plays their part in this world and not all parts are the same. So I look at it like whatever I was put here to do that's what the outcome is.
I don't want to sit and look at all the trophies. I don't want to live in the past -- I want to live now!
I do think sometimes when scrolling through the TV and there's something on and I look at it and I think oh, my god. I thought I was fat? What is my problem?
It's beginning to look a lot like Christmas, everywhere you go; Take a look in the five-and-ten, glistening once again. With candy canes and silver lanes aglow.
I never felt good enough about myself. I could be better at this, I could be better at that. I could look better. My work could be better. That whole idea that you're going to get caught, you're going to be found out as a fraud. That's one of those reasons I got up at 2:30 in the morning.
Aeriel felt her heart grow troubled. "I know," she said. "I know that he is evil, but his beauty unmakes me. Every time he looks at me, I die.
If they projected the fact that they are dangerous any harder, there would be little puddles of "danger" on the floor around them. Look, it's "danger", don't step in it!
It seems totally unfair that the way we look matters so much. I mean, why can't we just get over this gotta-be-thin-and-beautiful thing? Why can't we just accept ourselves and others for what we are?
