Memories Quotes - Page 91

We are effectively destroying ourselves by violence masquerading as love. I am a specialist, God help me, in events in inner space and time, in experiences called thoughts, images, reveries, dreams, visions, hallucinations, dreams of memories, memories of dreams, memories of visions, dreams of hallucinations, refractions of refractions of refractions of that original Alpha and Omega of experience and reality, that Reality on whose repression, denial, splitting, projection, falsification, and general desecration and profanation our civilisation as much as anything is based.

Farewell is said by the living, in life, every day. It is said with love and friendship, with the affirmation that the memories are lasting if the flesh is not.

Only a philosopher's mind grows wings, since its memory always keeps it as close as possible to those realities by being close to which the gods are divine.

Obviously the facts are never just coming at you but are incorporated by an imagination that is formed by your previous experience. Memories of the past are not memories of facts but memories of your imaginings of the facts.

Sometimes he would advise me to read poetry, and would send me in his letters quantities of verses and whole poems, which he wrote from memory. 'Read poetry,' he wrote: 'poetry makes men better.' How often, in my later life, I realized the truth of this remark of his! Read poetry: it makes men better.

I just have beautiful memories of what has happened in my life.

The idea that memory is linear is nonsense. What we have in our heads is a collection of frames. As to time itself-can it be linear when all these snatches of other presents exist at once in your mind? A very elusive and tricky concept, time.

When we cling to thoughts and memories, we are clinging to what cannot be grasped. When we touch these phantoms and let them go, we may discover a space, a break in the chatter, a glimpse of open sky. This is our birthright—the wisdom with which we were born, the vast unfolding display of primordial richness, primordial openness, primordial wisdom itself. When one thought has ended and another has not yet begun, we can rest in that space.

But don’t forget that memory is like salt: the right amount brings out the flavour in food, too much ruins it. If you live in the past all the time, you’ll find yourself with no present to remember.

Societies as well as people become afraid of change as they grow older. It's human nature. The young have adventures while the old sit at home and nurture their memories.

Every new friend is a new adventure... ...the start of more memories.

January. It was all things. And it was one thing, like a solid door. Its cold sealed the city in a gray capsule. January was moments, and January was a year. January rained the moments down, and froze them in her memory: [...]Every human action seemed to yield a magic. January was a two-faced month, jangling like jester's bells, crackling like snow crust, pure as any beginning, grim as an old man, mysteriously familiar yet unknown, like a word one can almost but not quite define.

Our capacity to move forward as developing beings rests on a healthy relationship with the past. Psychotherapy, that widespread method for promoting mental health, relies heavily on memory and on the ability to retrieve and organize images and events from the personal pastIf we learn not only to tell our stories but to listen to what our stories tell us—to write the first draft and then return for the second draft—we are doing the work of memory.

Memory is, first, a captivating mystery.

My earliest memory? Trying to use a red jelly bean as lipstick.

Art is the best possible introduction to the culture of the world. I love it for the buried hopes, the garnered memories, the tender feelings it can summon at a touch. It washes away from the soul the dust of everyday life.

Keep your soul fit to manifest the life of the Son of God. Never live on memories; let the word of God be always living and active in you.

I dislike modern memoirs. They are generally written by people who have either entirely lost their memories, or have never done anything worth remembering.

The great events of life often leave one unmoved; they pass out of consciousness, and, when thinks of them, become unreal. Even the scarlet flowers of passion seem to grow in the same meadow as the poppies of oblivion. We reject the burden of their memory, and have anodynes against them. But the little things, the things of no moment, remain with us. In some tiny ivory cell the brain stores the most delicate, and the most fleeting impressions.

Sometime you will find, even as I have found, that there is no such thing as romantic experience; there are romantic memories, and there is the desire of romance- that is all. Our most fiery moments of ecstasy are merely shadows of what somewhere else we have felt, or of what we long someday to feel

Time had not faded my memories (as I had prayed to God it might), nor had it healed my wounds as it is said always to do. I began each day with the hope that the next day would be better, my recollections a little less pointed, but I would awake to the same pain, as if a black lamp were burning eternally inside me, radiating darkness.

There are memories for both of us, of course, but I've learned that memories can have a physical, almost living presence, and in this, Savannah and I are different as well.If hers are stars in the nighttime sky, mine are the haunted empty spaces in beetween.

What's left is palimpsest—one memory bleeding into another, overwriting it.

I wonder if I don't give too much of myself to writing: I am always half where I am; the other half is feeding the furnace, kick-starting the heat of creativity. I am making love with someone but at the same time I'm noticing how this graceful hand across my belly might just fit in with the memory of lilacs in Albuquerque in 1974.

It appears to me that the subject of music, from Machaut to Boulez, has always been its construction. Melodies of 12-tone rows just don't happen. They must be constructed....To demonstrate any formal idea in music, whether structure or stricture, is a matter of construction, in which the methodology is the controlling metaphor of the composition...Only by 'unfixing' the elements traditionally used to construct a piece of music could the sounds exist in themselves--not as symbols, or memories which were memories of other music to begin with.