This is so nice, it must be illegal.
I'm probably never happier than when I'm by myself in the water. What I've worked and sacrificed for is not to be on stage playing music but to surf in some secluded place. It's a grounding element. Waves don't care who you are.
It will lead many musicians out of the cul-de-sac they currently face. And those that do not understand will be cursed to make disposable music on laptops forever.
Schoenberg is too melodious for me, too sweet.
Setting my mind on a musical instrument was like falling in love. All the world seemed bright and changed.
When I was at Stratford, the very first thing that I was commissioned to work on was trying to make a musical out of the documentary material about the General Strike, which was the next big historical event in England, after the First World War.
I once painted a concert singer and on the chestnut frame I carved the opening bars of Mendelssohn's Rest in the Lord. It was ornamental unobtrusive and to musicians I think it emphasized the expression of the face and pose of the figure.
One of the interesting things here is that the people who should be shaping the future are politicians. But the political framework itself is so dead and closed that people look to other sources, like artists, because art and music allow people a certain freedom.
Music is my shining light, my favorite thing in the world. T get me to stop doing it for one second would be difficult!
A musician's attempt to summarize his or her work leads to all this prescriptive chatter, or what I call the Modifier's Madness. A lot of adjectives working overtime.
A good quartet is like a good conversation among friends interacting to each other's ideas.
I've heard from writers and musicians and fans that they think I'm underrated.
Never look at the trombones, it only encourages them.
One of my biggest thrills for me still is sitting down with a guitar or a piano and just out of nowhere trying to make a song happen.
I tried practicing for a few weeks and ended up playing too fast.
The world today doesn't make sense, so why should I paint pictures that do?
I'm embarrassed when I see Brits abroad; they have their tops off, wear flip flops, and shout at the top of their voices.
Regarding the current Broadway revival of The Music Man, Jay Nordlinger wrote: There will always be those who sniff that the show is "feel good"-but, oh, it feels good to feel good. And the main reason The Music Man feels so good is that it is good-a great American musical.
Music is the soul of language.
I know, it's weird that I've never done a musical. I turned down two of them. 'The Lion King' and 'The Producers.' I turned two of the biggest Broadway musicals down, am I a mess?
The trouble with most musicians today is that they are copycats. Of course you have to start out playing like someone else. You have a model, or a teacher, and you learn all that he can show you. But then you start playing for yourself. Show them that you're an individual. And I can count those who are doing that today on the fingers of one hand.
I'm a businesswoman. I am a music lover. I like for people to like my music. When you listen to top 40 radio, you hear pop stuff. You hear rock stuff. You hear all these different influences
Since I started composing I have always worked with series of tempos, even superimposed the music of different groups of musicians, of singers, instrumentalists who play and sing in different tempos simultaneously and then meet every now and then in the same tempo.
Each time I leaped I seemed to touch the sky and when I regained earth it seemed to be mine alone.
Music touches us emotionally, where words alone can't.