Next Week Quotes - Page 5

I'm from a working-class background, and I've experienced that worry of not having a job next week because the unions are going on strike.

I used to spend all of my time projecting. I was never in the moment. It was always tomorrow or next week or two months from now. That was one of the reasons I always had this sense of anxiety.

Everything in the media is fleeting. Don't get the wrong idea. Fame is when you're still the hot topic next week or even the week after.

If you get asked to do something that would take place down the road (say you get asked to speak at a conference that's a year away) and you wouldn't want to do it if it were taking place next week, then don't do it. This advice has helped me evaluate the opportunities that I truly want to dedicate my time to and those that I don't.

The first thing I say when people ask what's the difference [between doing TV and film], is that film has an ending and TV doesn't. When I write a film, all I think about is where the thing ends and how to get the audience there. And in television, it can't end. You need the audience to return the next week. It kind of shifts the drive of the story. But I find that more as a writer than as a director.

There are moments when I think it will never end, that it will last indefinitely. It's like the rain. Here the rain, like everything else, suggests permanence and eternity. I say to myself: it's raining today and it's going to rain tomorrow and the next day, the next week and the next century.

The minute you're offered another option, you're like, "You mean, I can watch this every week, if I want to, or twice this week, if I need to, and not next week, if I don't have time?" I didn't even realize it was something we wanted or needed, which is where all great innovations come from.

Every day was a struggle. Forget making plans for life - we were just trying to make it to next week.

A story demanded to be written, and that is why I have not answered your letter before: a wrong-headed story, that would come blundering like a moth on my window, and stare in with small red eyes, and I the last writer in the world to manage such a subject. One should have more self-control. One should be able to say, Go away. You have come to the wrong inkstand, there is nothing for you here. But I am so weakminded that I cannot even say, Come next week.

I have this idealistic and maybe naive thought that almost any song can be anything. If you record one song today, it would maybe be exciting and cool. But I could record the same song next week and it would be something completely different.

From a writing standpoint, maybe television is a little more satisfying because it's not all hinging on one thing. You can experiment, week to week, and you can be a little narrower in your scope one week, and then be a little broader the next week. But with film, everything can look the way you want it to look. You can really sculpt the final product. So from a directorial standpoint, film is more satisfying. But, they're both forms of media that I'd like to keep involvement in.

Thank you for listening to Comedy Bang Bang! My name is Scott Aukerman and I will see you next week.

I leave the governor's office next week, and with it public life[which] has been on the whole a pleasant one. But for ten years and over my salaries have not equalled my expenses, and there has been a feeling of responsibility, a lack of independence, and a necessary neglect of my family and personal interests and comfort, which make the prospect of a change comfortable to think of.

One week, you can have a real heavy romance 'Chuck' episode, and the next week it can be some kind of murdery mystery. It's not like doing a procedural.

I'm coming to London next week, by the way, in unhappy circumstances. Are we getting on fine as we are? Or would you like a drink?

(Jim) Landis is such a good player because he plays every day as if he expects to be sent to the minors next week.

I try not to look back. I'm looking forward. I'm worried more about what I'm going to do next week than I am what I did last week. There are too many things to do. Looking back is for everybody else.

Once we announce the staff here, in the next week, two weeks, whatever it takes, I think everyone's going to be shocked at how good a staff we put together.

Boxing is a stepping stone just to introduce me to the audience. If I was still in Louisville, Kentucky and never was a boxer I still might get killed next week in some kind of freedom struggle and you'd ever hear the news.

Crime shows are really popular, in general, but usually, at the end of every episode, you have to let go of the people that you've invested in and then, the next week, get somebody else.

Whichever point you reach in the future, that will be a miracle! If you reach tomorrow, that will be a miracle! If you reach next week or next year, that will be a miracle! Your every arrival to a point in the future time is a great victory!

As subjects, we all live in suspense, from day to day, from hour to hour; in other words, we are the hero of our own story. We cannot believe that it is finished, that we are 'finished,' even though we may say so; we expect another chapter, another installment, tomorrow or next week.

Part of me was fascinated by the idea that I would only get next week's episode a week in advance and wouldn't actually know where I was going with it, until the script landed on my mat. But, part of me wanted to know what was going to happen.

I'm so used to artists saying to me, "Listen, I'm going to have five pages done next week," and then three weeks later I'm phoning them, begging them for two pages. And Stuart [Immonen]is a guy who will promise you five pages and deliver six pages, and the six pages are even better than you could have ever imagined.

The battle of the euro is being fought right now in Spain and Italy...The future of the euro is at stake in the next few weeks...