Some thoughts went through my head about recording some stuff that had influenced me earlier in my career like blues and early rock. But it didn't seem to really make sense at that point - it might have been taken the wrong way. A lot of people already had been into that trip.
What excited me when I first came into it was the performing aspect and doing blues-oriented material, rock/blues oriented stuff, basic stuff, basic what they call rock 'n' roll.
[Jazz musicians] couldn't cut rock. I had to be more limited and specific about what I was doing.
I'd much prefer to hear somebody like Ed Thigpen [drummer with New York session group Stuff, and featured on innumerable hits] take a solo. I mean, that's what it is. I'd much rather hear that than the jazz/rock thing because it's blowing an aspect of jazz that I really like...the level where you can snap your fingers to it and you can groove to it. You can do anything to it.
I deliberately try not to cater for the commercial market, so I can't see myself in competition, you know, with second or third generation rock stars.
I'm not a rock singer and I don't want to be a rock singer. I'm not interested. It doesn't seem to get across.
We might think that we're really intellectual and we're going to check out the library to research the meaning every time somebody puts out a new record. It's still primitive stuff. It's the same now as it was at the beginning. It's no different now. Rock 'n' roll is spirit music-it's just coming through people.
I just have to live my truth and know that it's okay to rock on my own vibration, because I'm me. I try to stand by that code, especially as a young Black woman in this industry. I try to walk the walk and talk the talk.
Her concern with landscapes and living creatures was passionate. This concern, feebly called, "the love of nature" seemed to Shevek to be something much broader than love. There are souls, he thought, whose umbilicus has never been cut. They never got weaned from the universe. They do not understand death as an enemy; they look forward to rotting and turning into humus. It was strange to see Takver take a leaf into her hand, or even a rock. She became an extension of it, it of her.
Is Chris Rock still gonna host the Oscars after this blatant racism?? Is everyone still gonna show up??
I'd love to be a rockstar.
Getting on stage, for me, was a huge thing when I first started. And back in high school, everyone was in rock bands and I was a singer/songwriter. It just seems kind of lame.
Me and my friends get together all the time for girls night, or watch rock of love on the couch. I end up going out to a lot of shows, and surfing with my folks is always high on the priority list.
I'm fascinated with the attitude of younger rock bands, even ones that are making money at it. I don't ever hear them talk about it as a "career." It almost makes me think there isn't even a music industry anymore, like an atom bomb fell and it was just eradicated forever.
It seems like I have more in common - or hit it off better - with rappers than fools that are in rock music. It was always natural for me.
I love "30 Rock" because Tina Fey allows me to fly over the cuckoo nest once a week.
An island can be dreadful for someone from outside. Everything is complete, and everyone has his obstinate, sure and self-sufficient place. Within their shores, everything functions according to rituals that are as hard as rock from repetition, and at the same time they amble through their days as whimsically and casually as if the world ended at the horizon.
I just wanna thank all those amazing Internet bloggers out there that hate me day-to-day. I love you! You rock!
There are enough scary rock & roll mothers in the world.
As much as I make my music for me, I make it for the people who rock with me and follow me. They're the inspiration behind it.
I want people who are going to rock out for the duration.
I'm business savvy and my will is only to win. I can't hit rock bottom any lower. It's only up from here. The weight is off the shoulders with that.
When I joined, they were like "Woah, dude!", because I came right out of that type of playing. But obviously with P. Roach there's more groove. I like doing those slower big fills, but I also like injecting some of that punk rock urgency. But I definitely need to mix it up, because if I was playing all fast fills all the time, it just wouldn't work.
Progressive rock was happening.
We can't just stop. We're not rocks-progress, migration, motion is... modernity. It's ANIMATE, it's what living things do. We desire. Even if all we desire is stillness, it's still desire for.