Scene Quotes - Page 21

A lot of the times once you've finished a scene, the best reaction is to say you don't really remember what happened. I don't really remember what I did or the choices I made.

The New York gallery scene being as incredibly overpopulated and overmoneyed as it is, deep conflicts and contradictions aren't hard to find.

I don't like to dwell all day over one scene as you do in a big feature.

I have been accused of making people laugh, maybe when it's not appropriate, during scenes.

A good chaos theory means you have a disciplined strategy behind the scenes of how you're going to roll out policy. And then you do it in a way that inflicts chaos on the press and your opponents.

If you're going to walk into a scene on a stage, you've gotta know what room you just left and what just happened.

War scenes are less difficult than love scenes.

I never minded George Steinbrenner spending obscene amounts of money to put the best product on the field.

A lot of improvisation ends up being about just thinking outside of the box in the scene. It's not improvisation as much as it is quickness or making it real.

I often don't like seeing how different things are made. I'm not a big fan of behind the scenes stuff.

Normally death scenes are good, if you have a significant death scene and it means something it's like the audience has an attachment to you being killed that's a good thing.

Often in television, you read a script and you're amazed that you get the scene given to you.

Who that hath ever been Could bear to be no more? Yet who would tread again the scene He trod through life before?

All directors on all sets behave slightly differently depending on what the scene is. For example, if you are doing a love scene, which is intimate then the director is likely to be intimate. If you are doing a scene where everyone is mucking around and laughing then the director is likely to start with that. If you are playing a scene which us incredibly heavy and everyone getting killed then there are probably not many laughs on the set.

I was working with Michael Shannon and I was like, "Oh man I'm having trouble with this scene." And he's like, "Well, then just open it up." I was like, "But, the mark?" And I was like, what's wrong with me? And he was like, "Dude, what's wrong with you?"

I don't feel comfortable with violence, and I'm not sure that I film violent scenes properly, and it's something I'm reticent to do, and yet violence is sort of in all of my films.

We've had experience of involvement in a local scene, and it was a good one, and we've learned a lot from it, and I don't have any need to join into that ever again. It's too counterproductive to writing music and performing to the best of your abilities. It's okay when you're 20 years old - you're getting out there and you're learning - but not when you're 30 years old.

When Superman came out it galvanized the entire industry. It's just part of the American scene.

Naked I came, naked I leave the scene

Im really into the indie-music scene and listen to a lot of De La Soul.

It is no use describing a house; the reader will fix the scene in some spot he knows himself.

Yeah, I get a death scene, but what does that mean?

How stagnant and tepid the whole British political scene is now is just beyond belief.

London scene consists of mostly foreigners. We see ourselves as British in many ways, but not English.

Its always really surreal, being on a film set, but inside a beautiful, massive scene.