What draws me to the theatre, and what appealed to me about Too Much Light, is that you have no idea what's going to happen. That's the most exciting part of theatre, it's never the same. If it were, it would be like watching a movie.
I get bored at the theatre a lot because I notice that there's not always a connection between the actors. They may be technically proficient, but they're not surprising each other. I'm thrilled by actors who make choices that are surprising.
In New York people don't go to the theatre - they go to see hits.
I believe this thought, of the possibility of death - if calmly realised, and steadily faced would be one of the best possible tests as to our going to any scene of amusement being right or wrong. If the thought of sudden death acquires, for you, a special horror when imagined as happening in a theatre, then be very sure the theatre is harmful for you, however harmless it may be for others; and that you are incurring a deadly peril in going.
The interest of my mother was more in the entertainment field. She loved to go to concerts and to the theatre.
I just am committed wholeheartedly to theatre with no intermission.
I have a dialect myself; it's more pronounced, because I have studied theatre and been in England. It's half-British, half-Indian.
From there, I tried out for a community theatre play, joined an improv group... it all started opening up.
Good drama must be drastic.
Acting is a very limited form of expression and those who take it seriously are very limited people. I take it seriously.
I got into theatre very early, so yes I was surrounded by gay people quite early and frequently.
I started off as a theatre designer, and by some extraordinary circumstance I saw something in Stratford-upon-Avon, and realized that that's the kind of design I want, but also that that's the kind of designer I'll never be.
I am a critic - as essential to the theatre as ants to a picnic.
We can make ourselves actors, but only the audience can make a star.
It's possible that Trump will have success by staging jobs theatre, rather than creating jobs. It's the inverse of what Obama did: saving an enormous amount of jobs without having the televised theatre to go along with it.
Theatre people, who are an adaptive species, know that to remain sane in the process of production where everyone and his uncle has an opinion about how to fix a show, you must pick the people whose knowledge and taste you trust and stick only to these few. The Tweetocracy is no place to look.
It is very hard to cast a number of plays adequately from the same company of actors without several parts being miscast.
Stirner's political praxis is quixotic. It accepts the established hierarchies of constraint as given. ... Not liable to any radical change, they constitute part of the theatre housing the individual's action. ... The egoist uses the elements of the social structure as props in his self-expressive act.
It is no small honour that God for our sake has so magnificently adorned the world, in order that we may not only be spectators of this beauteous theatre, but also enjoy the multiplied abundance and variety of good things which are presented to us in it.
I pretty much got into theatre to do community theatre and things, but then I went to Williamstown and found an agent. I then went to New York and did a lot of theatre there, so I started doing only theatre.
I was very interested in theatre, mostly in stage design. I did a little bit of acting.
A career in the theatre demands so much commitment.
I did an internship at the Ardent theatre company in Philly after dropping out of college. I was earning $165 a week building sets and cleaning the toilets. Cleaning toilets is a good way of getting in touch with your creativity. That's when you find out if you got anything going on in your head.
But I think theatre in a repressive society is an immensely exciting event and theatre in a luxurious old, affluent old society like ours is an entertaining event.
When the cinematograph first made its appearance, we were told that the days of the ordinary theatre were numbered.