Voice Quotes - Page 167

What’s your name, lad?” “Newton. Newton Pulsifer.” “LUCIFER? What’s that you say? Are ye of the Spawn of Darkness, a tempting beguiling creature from the pit, wanton limbs steaming from the fleshpots of Hades, in tortured and lubricious thrall to your Stygian and hellish masters?” “That’s Pulsifer,” explained Newton. “With a P. I don’t know about the other stuff, but we come from Surrey.” The voice on the phone sounded vaguely disappointed.

While the sun God will may your day, sing as a song in search of a voice that is silent, and the one God will make for your way.

I don't pamper my voice. It's part of my body. If my body is rested and healthy, my voice is rested and healthy.

You may feel like a voice in the wilderness, but it is your voice we are waiting to hear...you are the determining factor.

In every moment God expresses Himself in, as, and through you. Built into you is an internal guidance system that shows you the way home. This is the voice that speaks to you always of your highest choice, that places before you your grandest vision.

Built into you is an internal guidance system that shows you the way home. All you need to do is heed the voice.

In a 'wheat and tares' world, how unusually blessed faithful members are to have the precious and constant gift of the Holy Ghost with reminders of what is right and of the covenants we have made. 'For behold, ... the Holy Ghost ... will show unto you all things what ye should do.' (2 Ne. 32:5.) Whatever the decibels of decadence, these need not overwhelm the still, small voice! Some of the best sermons we will ever hear will be thus prompted from the pulpit of memory—to an audience of one!

Sometimes a faint voice based on instinct resonates far more strongly than overpowering logic.

Phunny Business is a breezy, vivid, funny, star-studded and delightful valentine to comedy, entrepreneurship and the All-American impulse to make something out of nothing. The story of comedy club owner/inveterate dreamer Raymond Lambert and his heroic quest to create a safe, productive place for black stand-up comedians to hone their craft and find their voices isn't just a great Chicago story and a great comedy story: it's a flat-out great story, lovingly and engagingly told.

It's important that I get time to run, to just go for a jog for about 30 minutes. It helps with my voice, but it also kind of gives me a little bit of time to myself - and you get to see a city.

There are indeed all sorts of men/ who visit here: those who want/ nothing but to talk or hear the soft tones/ of a woman's voice; others prefer/ simply to gaze upon me, my face/ turned from them as they touch/ only themselves. And then there are those,/ of course, whose desires I cannot commit/ to paper.

I think people who aren't in film experience that when they hear their voice on an answering machine or something.

It’s much better to be a tribal writer, writing for all people and reflecting many voices through us, than to be a cloistered being trying to find one peanut of truth in our own individual mind. Become big and write with the whole world in your arms.

I write a column for The Village Voice, which I've done since time immemorial, and occasionally - and books. And I occasionally write minor notes for record albums and occasional articles.

[William Shawn] took over The Voice and tried to turn it into New York Magazine - very glitzy covers that promised practically nothing in terms of what was inside, very rushed paper anymore. You - not very contemplative, thoughtful or whatever.

I like [John Cardinal O'Connor] a lot. He - I started a - to know him - when I asked William Shawn at The New Yorker, `Sh - can I do a profile of Cardinal O'Connor?' He said, `All right. Find out what he's like.' So I went to his office, and I heard somebody - and it turned out to be O'Connor - yelling outside, and I've never heard him since raise his voice.

The Voice has been politically correct in many of its aspects since before that term was ever used.

The main jobs would be The New Yorker, The Village Voice, The Washington Post and - I'm thinking of The Reporter when Max Askeli was there, but I got fired from The Reporter.

I wrote the column. I - you know, - the column simply said that [Clay] Felker is destroying this paper. And I heard that he was about ready to fire me, but two other people on The Voice interceded and, fortunately, he had a very short attention span, so I wasn't fired.

India's democracy where over 1 billion people have a voice in deciding their future is a world example of how governance can incorporate diversity into a movement for inclusive growth. New modes of democratic engagement, especially through using e-governance are allowing greater access to fundamental rights for all our people.

Normally, the opposition gets more media space and even the people find it interesting to listen to voices against the government of the day.

We have to fight terror in one voice, rising above politics. That is when the common people will feel secure.

A lot of artists don't like the sound of their voice. They're put off by it.

I think every time you take on a new role, you're trying to help find that voice and you add your own bits and pieces along the way but with Noah [Baumbach] it's already done.

I was successful with mediocre material because of a good recording voice that people really liked at that time.