Writing Quotes - Page 267

It was only after two years' work that it occurred to me that I was a writer. I had no particular expectation that the novel would ever be published, because it was sort of a mess. It was only when I found myself writing things I didn't realise I knew that I said, 'I'm a writer now.' The novel had become an incentive to deeper thinking. That's really what writing is—an intense form of thought.

It's my contention that each book creates its own structure and its own length. I've written three or four slim books. It may be that the next novel is a big one, but I don't know.

Breaking up monotony is key to life and it doesn't matter whether I'm stacking shelves or writing songs, if I was doing the same thing every day I just couldn't take it.

For years, I'd say yes to almost everything, trying to be nice and generous. Feeling obliged to be of service to the world. Maybe also a fear of being forgotten if I don't. But I paid the ultimate price in doing that, because for all those years, I got almost no work done! Some famous authors have written about this: that if they said yes to every request, then they'd never have time to write another book again.

Whatever a poet writes with enthusiasm and a divine inspiration is very fine. Earliest reference to the madness or divine inspiration of poets.

I wanted to write the most beautiful poem but that is impossible; the world has written its own.

I realized you might make money at writing, and you might even make a living at it. So after that I didn't write stories just for the class but wrote them for the purpose of submitting them somewhere, and at some point in the process, I began writing them just to please myself and that's where you begin to see the real value of a life of writing.

I never do any television without chocolate. That's my motto and I live by it. Quite often I write the scripts and I make sure there are chocolate scenes. Actually I'm a bit of a chocolate tart and will eat anything. It's amazing I'm so slim.

Sorrow, it is said, will make even an oyster feel poetical. I never tried my hand at that sort of writing but on this particular occasion such was my state of feeling, that I began to fancy myself inspired; so I took pen in hand, and as usual I went ahead.

It follows that unless your headline sells your product, you have wasted 90 percent of your money.

Repeat your winners. If you are lucky enough to write a good advertisement, repeat it until it stops selling. Scores of good advertisements have been discarded before they lost their potency.

Never believe anything you think about yourself as a writer when you're not writing.

A play is basically a long, formalistic polemic. You can write it without the poetry, and if you do, you may have a pretty good play. We know this because we see plays in translation. Not many people speak Norwegian or Danish or whatever guys like Ibsen spoke, or Russian - yet we understand Chekhov and the others.

It is far easier to travel than to write about it.

Writing a play, you start with less, so more is demanded of you. It's as if you have to not only write a symphony, but invent the instruments as well.

It's the stories that make my heart beat faster ...those are the ones to write about

Acting is the most pure fun as far as jobs go, but it can be limiting in terms of freedom of expression. You are never the master of the story, just a part of it. But writing and directing give you the power of the gods.

There are only two kinds of stories in the world: those about which I do not care to write as many as 600 words, and those about which I would like to write many more than 600 words. But there is nothing about which I would like to write exactly 600 words.

The primary urge that motivates and engenders writing...is the writer's desire to invent and tell a story, and to know himself. But the more I write, the more I feel the force of the other urge, which collaborates with and completes the first one: the desire to know the Other from within him. To feel what it means to be another person. To be able to touch, if only for a moment, the blaze that burns within another human being.

I really work for racial reconciliation in many ways. And you can judge me by my writings.

While I was an addict, I didn't write anything. I didn't have the attention span or the will.

On "Tonight" I think I was torn dreadfully between writing what I wanted to write, but keeping it in a style that would follow up what I had just done. That's where I feel I was untrue to myself as an artist . . . that album and, to a lesser extent, "Never Let Me Down."

I had enormous self-image, problems and very low self-esteem, which I hid behind obsessive writing and performing. It's exactly what I do now except I enjoy it now. I'm not driven like I was in my twenties. I was driven to get through life very quickly.

If you have a story that seems worth telling, and you think you can tell it worthily, then the thing for you to do is to tell it, regardless of whether it has to do with sex, sailors or mounted policemen.

I've always been humble and this even humbled me even more to definitely get a second chance at my career. There are still chapters I'm writing in this legacy.