Writing Quotes - Page 33

One of the achievements of which I am most proud was the codification, the writing into U.S. law, of the U.S. embargo on the Castro dictatorship.

Theorists write all the popular books on science: Heinz Pagels, Frank Wilczek, Stephen Hawking, Richard Feynman, et al. And why not? They have all that spare time.

My writing style is very sensual, as in sensory detail

All I know is when I start getting serious about songwriting... it's like a playground. All responsibilities slip away and you're with your essence. There can be delight there and self-discovery. You can dance there... I think of it as my serious playground.

For me, writing is a love-hate relationship.

It's better to write about things you feel than about things you know about.

My advice to would-be young authors is to read a lot, write a lot, and not worry about creating a finished product. Keeping a journal is not a bad idea either.

I think people appreciate a songwriter who shows different sides. The whole angst thing is cool, but if that's all you've got, it's just boring. Everything I write, whether it's happy or sad, has a sense of humor to it.

What I'm doing is basically the same as Bob Dylan did with folk songs and Woody Guthrie songs, the same as folk music's always done. I'm not going to sing about ploughing, but I'll write a song that sounds like it should be about ploughing.

For the writer, the serial killer is, abstractly, an analogue of the imagination's caprices and amorality; the sense that, no matter the dictates and even the wishes of the conscious social self, the life or will or purpose of the imagination is incomprehensible, unpredictable.

The surrealist thinks he has outstripped the whole of literary history when he has written (here a word that there is no need to write) where others have written "jasmines, swans and fauns." But what he has really done has been simply to bring to light another form of rhetoric which hitherto lay hidden in the latrines.

The really great writers are people like Emily Brontë who sit in a room and write out of their limited experience and unlimited imagination.

It was books that taught me that the things that tormented me most were the very things that connected me with all the people who were alive, or who had ever been alive.

I'd rather be caught holding up a bank than stealing so much as a two-word phrase from another writer.

I have more freedom when I write fiction, but my memoirs have had a much stronger impact on my readers. Somehow the 'message,' even if I am not even aware that there is one, is conveyed better in this form.

Writing about 2,000 words in three hours every morning, 'Casino Royale' dutifully produced itself. I wrote nothing and made no corrections until the book was finished. If I had looked back at what I had written the day before I might have despaired.

I have drawn things since I was 6. All that I made before the age of 65 is not worth counting. At 73 I began to understand the true construction of animals, plants, trees, birds, fishes, and insects. At 90 I will enter into the secret of things. At 110, everything - every dot, every dash - will live. To all of you who are going to live as long as I do, I promise to keep my word. I am writing this in my old age, I used to call myself Hokusai, but today I sign myself 'The Old Man Mad About Drawing.'

What caricature is in painting, burlesque is in writing; and in the same manner the comic writer and painter correlate to each other; as in the former, the painter seems to have the advantage, so it is in the latter infinitely on the side of the writer. For the monstrous is much easier to paint than describe, and the ridiculous to describe than paint.

Women must write through their bodies, they must invent the impregnable language that will wreck partitions, classes, and rhetorics, regulations and codes, they must submerge, cut through, get beyond the ultimate reverse-discourse, including the one that laughs at the very idea of pronouncing the word "silence"...In one another we will never be lacking.

We have chosen to write the biography of our disease because we love it platonically - as Amy Lowell loved Keats - and have sought its acquaintance wherever we could find it. And in this growing intimacy we have become increasingly impressed with the influence that this and other infectious diseases, which span - in their protoplasmic continuities - the entire history of mankind, have had upon the fates of men.

Writing a book is a horrible, exhausting struggle, like a long bout with some painful illness. One would never undertake such a thing if one were not driven on by some demon whom one can neither resist nor understand.

It wasn't long after I began writing Star Wars that I realized the story was more than a single film could hold. As the saga of the Skywalkers and Jedi Knights unfolded, I began to see it as a tale that could take at least nine films to tell - three trilogies - and I realized, in making my way through the back story and after story, that I was really setting out to make the middle story.

I learned to write by listening to people talk. I still feel that the best of my writing comes from having heard rather than having read.

The reason that I keep writing is that all my most powerful messages about the fates of wild places that I care about need to have words as well as images

There is no such thing as great writing - there is only great re-writing!