Writing Quotes - Page 82

I'd say art is with you. All around you. I'd say when there doesn't seem to be anyone else, there is art. I'd say you can love art how you wish to be loved. And I'd say art is a lifeline to the rest of us - we are out here. You are not alone. There is nothing about you that scares us. There is nothing unlovable about you, either.

The way to write a thriller is to ask a question at the beginning, and answer it at the end.

It’s the opening of Manderlay in Cannes, and I’m sitting next to this guy who’s writing for a tiny fictitious French paper called ‘On the Sunny Side,’ and he’s writing a review on the film, and he’s obviously bored. Then he tells me about all the cars he owns, and how rich he is, and all these things... So, at a certain point, he says, "So what do you do?" Then I take out this very strange hammer we have in the Danish building business, and I say, "I kill." And then I kill him. It is as stupid as it sounds.

Your eloquence should be the servant of the ideas in your head. Your rule might be this: If a sentence, no matter how excellent, does not illuminate your subject in some new and useful way, scratch it out.

Write about what disturbs you, particularly if it bothers no one else.

Don't say you don't know! It's because of Kim. Meaning there's no photo that I would have put up by myself, or next to one of my smarty friends, that would have got that amount of likes. So now you take this photo that has that amount of likes, and it has a flower wall from the same guy who does the Lanvin shows, and it has a couture Givenchy dress and Givenchy tuxedo in it. That's the point. Now the thing that is the most popular is also communicating the highest level of creativity. The concept of Kimye has more cultural significance than what Page Six could write.

When talent fails, indignation writes the verse.

I shall stick to my resolution of writing always what I think no matter whom it offends.

Being able to write becomes a kind of shield, a way of hiding, a way of too instantly transforming pain into honey.

When the climbers in 1953 planted their flags on the highest mountain, they set them in snow over the skeletons of creatures that had lived in the warm clear ocean that India, moving north, blanked out. Possibly as much as twenty thousand feet below the seafloor, the skeletal remains had turned into rock. This one fact is a treatise in itself on the movements of the surface of the earth. If by some fiat I had to restrict all this writing to one sentence, this is the one I would choose: The summit of Mt. Everest is marine limestone.

To be a writer is to sit down at one's desk in the chill portion of every day, and to write; not waiting for the little jet of the blue flame of genius to start from the breastbone - just plain going at it, in pain and delight. To be a writer is to throw away a great deal, not to be satisfied, to type again, and then again, and once more, and over and over...

We read five words on the first page of a really good novel and we begin to forget that we are reading printed words on a page; we begin to see images.

Short stories demand a certain awareness of one's own intentions, a certain narrowing of the focus.

I am not really a writer. I am just someone who is haunted, and I will write the hauntings down.

When I write, I don't know what is going to emerge. I begin in a condition of complete unknowing, an utter nakedness of concept or goal. A word appears, another word appears, an image. It is a moving into mystery.

I have the words already. What I am seeking is the perfect order of words in the sentence. You can see for yourself how many different ways they might be arranged.

I was telling stories before I could write. I like to tell stories, and I like to talk to things. If you]ve read fairy tales, you know that everything can talk,from trees to chairs to tables to brooms. So I grew up thinking that, and I turned it into stories.

I always make it a rule never to look back. Otherwise, I'd ask myself how I could write such piffle and live with myself, day after day.

There is no nobler chore in the craft of writing than holding up the mirror of reality and turning it slightly, so we have a new and different perception of the commonplace, the everyday, the 'normal,' the obvious. People are reflected in the glass. The fantasy situation into which you thrust them is the mirror itself. And what we are shown should illuminate and alter our perception of the world around us. Failing that, you have failed totally.

Anything that happens after I write a song...that's fine with me. It's up to the listener to read into it what they need from it. And that's part of the reason I write like I do, so I can leave the holes in the right places so people can say, 'Yeah, that happened to me,' and they're able to have their own little fantasy about it.

People will sometimes say, "Why don't you write more politics?" And I have to explain to them that writing the lives of women IS politics.

Our mistake, you see, was to write interminable large operas, which had to fill an entire evening. And now along comes someone with a one or two-act opera without all that pompous nonsense - that was a happy reform.

A man like Verdi must write like Verdi.

If you are lazy, and accept your lot, you may live in it. If you are willing to work, you can write your name anywhere you choose.

A book calls for pen, ink, and a writing desk; today the rule is that pen, ink, and a writing desk call for a book.