My mother had died when I wrote my first book. I was twenty-seven, so it was right at the beginning of my writing life. I don't know if she had lived, if I would have done it, certainly not quite like I did. But, you can't rethink it. You wrote what you wrote, it meant something to other people, and that's your good.
People always think their world is coming to an end if they're exposed, and of course it isn't coming to an end; it goes right on exactly the way it always was.
One of the things about parents and children is that there is no way that you go through this without there being mutual anger.
I would prefer you not to say, "That was the most terribly written piece I've ever read." That would hurt me. But you don't think I'm the best person in the world? Well, alright.
You have to have a certain kind of thickening of the hide. I mean, I'm not particularly worried about what other people think. If other people think that I was not the world's most perfect mother, they are completely right.
You need your freedom. You need to be able to do what you want to do as a journalist, as a person who's speaking for other women as you speak for yourself, and you make a choice. You have to be tough enough to take the consequences of that choice.
They want to play at being mothers. So let them. Expressing tenderness in their own way will not prevent girls from enjoying a successful career in the future; indeed, the ability to nurture is as valuable a skill in the workplace as the ability to lead.
Is it possible that my sons-in-law will do toilets? If we raise boys to know that diapers need to be changed and refrigerators need to be cleaned, there's hope for the next generation.
If I were planning to be stranded on a desert island, I wouldn't take Freud's books with me, because I've already read them all.
Romanticizing the act of writing or any other art is not very helpful to the artist or the art. It's much better if one simply does.
You can be creative and not addictive, or addictive and not creative. Most addicted people do not produce anything of remarkable note.
Everybody is bound by some social rules. But I think that artists need some kind of freedom to explore their minds and that some of them tend to take that freedom to live a little more openly or a little more dangerously, sometimes a lot more self-destructively, than other people.
Decay is quiet but ghastly, explosion is dramatic and dreadful. There's not much to choose between the two of them in reality, and most of our lives have sufficient of both.
I have always been fascinated by the human mind, conscious and unconscious - that is what writing and reading is about, too. The why of your life and the why of your choices and the what has happened that you know and the what that you don't know is really riveting, and psychoanalysts share my wonder at how it all unfolds.
I really consider myself a writer, and a writer who is sometimes a social critic. I'm not an ideologue, I don't join a party. I follow along and take notes. Sometimes I throw in my two cents.
It is hard to hold on to friendships when people move away to another state or to another world.
Friendship needs both confidences and confidence in the other's outstretched hand.
I am not a perfect friend, and it is impossible not to rebuff or be rebuffed if you move about the world.
I believe that it is our human right to be parents and women. And there's no contradiction between feminism, which means women should have all that they are entitled to, all that they can do, all the opportunities that they can take advantage of they should have.
Our mythology tells us so much about fathers and sons. ... What do we know about mothers and daughters? ... Our power is so oblique, so hidden, so ethereal a matter, that we rarely struggle with our daughters over actual kingdoms or corporate shares. On the other hand, our attractiveness dries as theirs blooms, our journey shortens just as theirs begins. We too must be afraid and awed and amazed that we cannot live forever and that our replacements are eager for their turn, indifferent to our wishes, ready to leave us behind.
There is cruelty in divorce. There is cruelty in forced or unfortunate marriage. We will continue to cry at weddings because we know how bittersweet, how fragile is the truth. We will always need legal divorce just as an emergency escape hatch is crucial in every submarine. No sense, however, in denying that after every divorce someone will be running like a cat, tin cans tied to its tail: spooked and slowed down.
I know that family life in America is a minefield, an economic trap for women, a study in disappointment for both sexes.
God is a God of Lovingkindness.
Most of us don't have mothers who blazed a trail for us--at least, not all the way. Coming of age before or during the inception of the women's movement, whether as working parents or homemakers, whether married or divorced, our mothers faced conundrums--what should they be? how should they act?--that became our uncertainties.
How deep is our desire to do better than our mothers--to bring daughters into adulthood strong and fierce yet loving and gentle, adventurous and competitive but still nurturing and friendly, sweet yet sharp. We know as working women that we can't quite have it all, but that hasn't stopped us from wanting it all for them.