Annie Dillard Quotes - Page 7

There is no whit less enlightenment under the tree by your street than there was under the Buddha's bo tree. I invite you to go sit under that tree by your street.

The mountains are great stone bells; they clang together like nuns. Who shushed the stars? There are a thousand million galaxies easily seen in the Palomar reflector; collisions between and among them do, of course, occur. But these collisions are very long and silent slides. Billions of stars sift amont each other untouched, too distant even to be moved, heedless as always, hushed. The sea pronounces something, over and over, in a hoarse whisper; I cannot quite make it out. But God knows I have tried.

We are here to witness. There is nothing else to do with those mute materials we do not need. Until Larry teaches his stone to talk, until God changes his mind, or until the pagan gods slip back to their hilltop groves, all we can do with the whole inhuman array is watch it.

I have since only rarely seen the tree with the lights in it. The vision comes and goes, mostly goes, but I live for it, for the moment when the mountains open and a new light roars in spate through the crack, and the mountains slam.

So the Midwest nourishes us [...] and presents us with the spectacle of a land and a people completed and certain. And so we run to our bedrooms and read in a fever, and love the big hardwood trees outside the windows, and the terrible Midwest summers, and the terrible Midwest winters [...]. And so we leave it sorrowfully, having grown strong and restless by opposing with all our will and mind and muscle its simple, loving, single will for us: that we stay, that we stay and find a place among its familiar possibilities. Mother knew we would go; she encouraged us.

The way you live your days is the way you live your life.

There must be bands of enthusiasts for everything on earth-fanatics who shared a vocabulary, a batch of technical skills and equipment, and, perhaps, a vision of some single slice of the beauty and mystery of things, of their complexity, fascination, and unexpectedness.

I sip my coffee. I look at the mountain, which is still doing its tricks, as you look at a still-beautiful face belonging to a person who was once your lover in another country years ago: with fond nostalgia, and recognition, but no real feelings save a secret astonishment that you are now strangers. Thanks. For the memories. It is ironic that the one thing that all religions recognize as separating us from our creator--our very self-consciousness--is also the one thing that divides us from our fellow creatures. It was a bitter birthday present from evolution, cutting us off at both ends.

Out of a human population on earth of four and a half billion, perhaps twenty people can write a book in a year. Some people lift cars, too. Some people enter week-long sled-dog races, go over Niagara Falls in a barrel, fly planes through the Arc de Triomphe. Some people feel no pain in childbirth. Some people eat cars. There is no call to take human extremes as norms.

Write about winter in the summer.

What have we been doing all these centuries but trying to call God back to the mountain, or, failing that, raise a peep out of anything that isn't us? What is the difference between a cathedral and a physics lab? Are not they both saying: Hello? We spy on whales and on interstellar radio objects; we starve ourselves and pray till we're blue.

Why do we people in churches seem like cheerful, brainless tourists on a packaged tour of the Absolute?

Knowing you are alive is watching on every side your generation's short time falling away as fast as rivers drop through air, and feeling it hit.

You empty yourself and wait, listening. After a time you hear it: There is nothing there...You feel the world's word as a tension, a hum, a single chorused note everywhere the same. This is it: This hum is the silence.

if you stay still, earth buries you, ready or not.

There is a muscular energy in sunlight corresponding to the spiritual energy of wind.

Wherever we go, there seems to be only one business at hand - that of finding workable compromises between the sublimity of our ideas and the absurdity of the fact of us.

Just think: in all the clean, beautiful reaches of the solar system, our planet alone is a blot; our planet alone has death.

Johnston's books are beautifully written and among the funniest I have ever read.

I'd seen a great many partial eclipses, but a partial eclipse has the same relation to a total eclipse as flirting with a man does to marrying him. It's completely different.

Your freedom as a writer is not freedom of expression in the sense of wild blurting; you may not let rip. It is life at its most free, if you are fortunate enough to be able to try it, because you select your materials, invent your task, and pace yourself.

Just once I wanted a task that required all the joy I had. Day after day I had noticed that if I waited long enough, my strong unexpressed joy would dwindle and dissipate inside me, like a fire subsiding . . . . Just this once I wanted to let it rip.

What do I make of all this texture? What does it mean about the kind of world in which I have been set down? The texture of the world, its filigree and scrollwork, means that there is the possibility for beauty here, a beauty inexhaustible in its complexity, which opens to my knock, which answers in me a call I do not remember calling, and which trains me to the wild and extravagant nature of the spirit I seek.

A schedule defends from chaos and whim. A net for catching days.

I can't dance anymore. Total knee replacements. I can't do anything anymore.