Motherhood was the great equaliser for me; I started to identify with everybody.
We think that this is just our world and we don't know what other people are thinking. Music actually is a phenomenal connector in that respect. It's a special language that defines certain boundaries and connects people in a particular way, a very emotional way, I have found.
We're all born, and if you're going to live to be elderly, you'll have gone through a life journey different than anyone else's. It's unique to you, but you'll have some common themes.
Everything is illusory. You cannot label something and feel that that is the beginning, middle, and end of it.
I had a number of different labels. A lot of people assumed I was gay because I was wearing a man's suit, and one had to learn that it's OK, people will do that, and you don't always have to explain it one hundred percent, because they're never going to accept what your own interpretation is. It's all illusory.
I guess what I'm passionate about is, I see so many things that I find that there's no real solution to, and you're only here for such a brief moment in time, even if you live to be a hundred years old. Yet, what happens within that time frame? So many things happen.
The music industry has always been a beast, which would eat you up and spit you out.
My first understanding of HIV and AIDS was like everybody else from my generation. In the mid-'80s, we heard about this, and it was terrifying, because we knew nothing about how to respond to it appropriately, and we didn't really understand about how the virus is passed. There was a lot of misconception about that.
I'm not living my life under the spotlight for anybody.
In the States, the HIV transmission from mother to child is almost completely preventable - the only mothers who really do transmit it are the ones who don't come in for care. If a mother in the United States or in Europe or in the UK comes to care and gets her medicines, she will have an HIV negative baby. Most people don't know that.
If you do nothing, if a mother doesn't come for care, if she breastfeeds her baby, the chances of the baby getting HIV are about 40%. So it's about the difference between 40% and zero. This is almost totally preventable. But it requires mothers coming for care and getting the medicines they need, and getting the education and support they need.
We need money to scale up the services that bring medicine to mothers. The United States government's doing that. There's a global fund that's providing money. mothers2mothers provides for mothers who come in who don't have education, who don't have support. mothers2mothers employs mothers with HIV, mothers who were patients recently in the very same facilities. We take those mothers who were patients who've had their babies, we bring them back, we train them, we pay them, to be health care professionals.
There's always darkness around, and if you focus on the darkness, you don't know where to go. But if you direct yourself at the light - there it is! It's right there.
The contrast of the world that we live in and the world that is here in Aspen and the world inhabited by women who have no resources, little or no, very few resources - huge disparity.
I'm passionate about everything, actually. I'm passionate about life.
It's harder to get out of bed when you've failed.
We are not consistent. We have both these dark sides and some light as well.
I think it takes a lot to put oneself in a place where, you know, that thing about "Feel the fear and do it anyway." You wonder what the driving force is that makes you want to do that and not just stay in a safer place.
I'm not a risk taker physically. I just have no interest in swinging myself off a mountaintop or parachute gliding or skiing down a totally vertical drop. These things don't interest me in the slightest, but I get so caught up in the color or the texture of the sounds of something. That's so funny to me.
I think that the thing is, all those years of creating music or trying to express something of a dark shadow, an existential angst that I have felt most of my life and still feel today, to not be overwhelmed by it. Music, in a way, is a great vehicle, a means by which one can express all these somewhat contradictory feelings.
I wouldn't have known when I was a teenager that when I was coming up to being a sixty-year-old woman that I'd be making music, I'd be recording music, talking about music, and incorporating my views on the world into the music-making. So it's a very rarefied place to be, and I'm very grateful for that.
To try to help people have babies in a healthy way and to celebrate the process of delivering a child which will be healthy is, I think, almost the best part of healthcare.
There's good stuff and bad stuff, but you continue on. I'm not prescriptive - I cannot tell anyone else what to do with their lives, and I'm a deeply flawed individual - but this is it. We're all just living it and... bless us all.
The very fact that the planet is probably unsustainable with all that we've done to it and are doing to it, it's an appalling piece of evidence. It shows our complacency, our lack of passion or inclination to be authentic and really understand our true values. It's consistently depressing, but nevertheless, we carry on.
At times, I've been so absolutely terrified of what I was about to do, whether it was public speaking or performance. Whatever it was, sometimes it had me really, really shaking in my shoes, and I decided that I was going to do it no matter what. And, of course, the critic is there, and afterwards, there's this, "Was it good enough? Was it really all I wanted to say?"
