You can assume all photo and video is constructed as a fiction controlled by the person holding the camera and the person who is editing.
As an academic I feel I should intellectualize and theoretically analyze when all I really want to do is let the work take me somewhere, manipulate me, and then rough me up a bit. When it comes right down to it, I only want to spend time with work that makes me think and teaches me something while making my body react.
I am attempting to move away from the exclusionary practices of feminist theory, particularly anti-pornography rhetoric, in order to amplify the discussion about the complexity of pleasure for women.
I often call my current work pornographic - when I don't, I can always be sure someone else will.
In using the style of the erotic/pornographic story, I am interested in dismantling stereotypes of an essential feminine identity, particularly one of exclusive tenderness and passivity.