We stayed very close to each other [with Leek Kirk], and Lee was amazing. We'd go through the script together, rehearsing it before every shot with the other actors. He was just easy to work with. We were able to put it in my language, which was really important.
When you start getting into your politics it's like you have to be vulnerable and you have to be sort of sensitive. Because if it's always like straight aggression all the time, there becomes no empathy for the stance that you're taking. You're not telling people to think, you're telling them what to think. And also you have to be honest with yourself on that, too.
It came up after doing St. Jimmy on Broadway for American Idiot. I loved acting, and so I just kept my options open.
I started off small and then this was just the great opportunity.
We had a lot of fun together. We really were in sync with each other, a lot.Madisyn Shipman is a great kid.
That's where all good music comes from, I think - anything that's likely to have an impact on pop culture comes from a point where there's no expectation of it becoming anything other than personal.
It would be great to do a rock opera, but using more low-fi technology. I love shitty-sounding records.
I'd love to go to art school. I'd love to learn how to draw. I'd love to be fluent in Spanish. I'd like to be a brain surgeon.
There were a couple of times, leading up to shooting [Ordinary World], where I was like, "Oh, my god, what did I get myself into? Hopefully, I don't ruin this guy's precious script." And then, after a couple of days of shooting, I started getting in the groove of it and it was really fun. I love being a rookie at stuff. It makes it feel vital. I love doing things I've never done before, and I love making stuff.
The record [American Idiot ] felt special to us, when we recorded it, with all of the artwork and the concept behind it and it being a rock opera, but we didn't really know where it was going to go. It's like I always say, you just follow the music. Not only was American Idiot a special moment for us, but it also led to Ordinary World, too.
Set lists are tough because you come up with this structure of how the songs are going to go from one to the next, but at the same time, you have to be spontaneous and take requests and change the set list at the drop of a hat.
The musical is amazing. i mean,i don't throw around that word very often unless im talking about myself. Being humble is one of my many fine qualities. IGN Interview May 2009
What I see in a lot of music movies, or rock 'n' roll movies, that feature a band is that they're lip-synching.
In one of the scenes [in the Ordinary World], you can see a little cameo of my son, who's in the party. You've just gotta bring it all back home.
As agent asked if I wanted to be represented, and I said, "Yeah, sure, I'll give it a shot!" It was never something I had really put that much thought into. But then, Lee Kirk reached out and asked if I was interested, and I read the script of the [Ordinary World] and said, "Absolutely!"
I threw a big-ass party. It turned out a bit different from Perry's [in That's Ordinary World], but it was pretty nuts. It wasn't me that threw it though, my wife threw me a surprise party. So [unlike Selma Blair's character] she didn't forget.
With age, it really becomes thinking about how time has passed - that's sort of the root of age.
I just plug in and let go.
I'm not f-ing Justin Bieber, you motherf-ers!
When I was done with the movie [Ordinary World], I felt really compelled to start working on another album. Little did I know, they were going to come out back to back.
You want a drumstick? Like a ice cream cone or a chicken wing!?
I hate celebrities. I really hate them.
My brother David was a great athlete and I knew there was no way I could live up to that.
That was the hard part of having kids: trying to be on their schedule, then fighting to get to sleep while they are sleeping.
I don't want to live in an ivory tower, being the songwriter who just turns inward.