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Charlotte Perkins Gilman Quotes - Page 3

Said I, in scorn all burning hot,In rage and anger high,"You ignominious idiot,Those wings are made to fly!

Charlotte Perkins Gilman (2009). “The Yellow Wall-Paper, Herland, and Selected Writings”, p.292, Penguin

Audiences are always better pleased with a smart retort, some joke or epigram, than with any amount of reasoning.

Charlotte Perkins Gilman (1935). “The Living of Charlotte Perkins Gilman: An Autobiography”, p.328, Univ of Wisconsin Press

[Warfare is] maleness in its absurdest extremes. Here is to be studied the whole gamut of basic masculinity, from the initial instinct of combat, through every form of glorious ostentation, with the loudest accompaniment of noise.

Charlotte Perkins Gilman (2015). “Collected Works of Charlotte Perkins Gilman: Short Stories, Novels, Poems and Essays: The Yellow Wallpaper, What Diantha Did, Women and Economics, The Crux, Moving the Mountain, Herland and other works from the prominent American feminist, sociologist and novelist”, p.780, e-artnow

It is the same woman, I know, for she is always creeping, and most women do not creep by daylight.

Charlotte Perkins Gilman (2015). “Collected Works of Charlotte Perkins Gilman: Short Stories, Novels, Poems and Essays: The Yellow Wallpaper, What Diantha Did, Women and Economics, The Crux, Moving the Mountain, Herland and other works from the prominent American feminist, sociologist and novelist”, p.15, e-artnow

The best proof of man's dissatisfaction with the home is found in his universal absence from it.

Charlotte Perkins Gilman (2015). “The Humanness of Women: Theory and Practice of Feminism (Essays and Sketches): Studies and thoughts by the famous American writer, feminist, social reformer and deeply respected sociologist who holds an important place in feminist fiction, known for The Yellow Wallpaper story”, p.272, e-artnow

It would have saved trouble had I remained Perkins from the first, this changing of women's names is a nuisance we are now happily outgrowing.

Charlotte Perkins Gilman (2015). “Delphi Complete Works of Charlotte Perkins Gilman (Illustrated)”, p.2311, Delphi Classics

The home is a human institution. All human institutions are open to improvement.

Charlotte Perkins Gilman (2015). “Collected Works of Charlotte Perkins Gilman: Short Stories, Novels, Poems and Essays: The Yellow Wallpaper, What Diantha Did, Women and Economics, The Crux, Moving the Mountain, Herland and other works from the prominent American feminist, sociologist and novelist”, p.812, e-artnow

A family unity which is only bound together with a table-cloth is of questionable value.

Charlotte Perkins Gilman (2015). “Collected Works of Charlotte Perkins Gilman: Short Stories, Novels, Poems and Essays: The Yellow Wallpaper, What Diantha Did, Women and Economics, The Crux, Moving the Mountain, Herland and other works from the prominent American feminist, sociologist and novelist”, p.1175, e-artnow

A concept is stronger than a fact.

Charlotte Perkins Gilman (2003). “His Religion and Hers: A Study of the Faith of Our Fathers and the Work of Our Mothers”, p.4, Rowman Altamira

Woman" in the abstract is young, and, we assume, charming. As they get older they pass off the stage, somehow, into private ownership mostly, or out of it altogether.

Charlotte Perkins Gilman (2015). “Collected Works of Charlotte Perkins Gilman: Short Stories, Novels, Poems and Essays: The Yellow Wallpaper, What Diantha Did, Women and Economics, The Crux, Moving the Mountain, Herland and other works from the prominent American feminist, sociologist and novelist”, p.398, e-artnow

I ran against a Prejudice that quite cut off the view.

Charlotte Perkins Gilman (2015). “Delphi Complete Works of Charlotte Perkins Gilman (Illustrated)”, p.1440, Delphi Classics

The difference is great between one's outside "life," the things which happen to one, incidents, pains and pleasures, and one's "living."

Charlotte Perkins Gilman (1935). “The Living of Charlotte Perkins Gilman: An Autobiography”, p.181, Univ of Wisconsin Press

I'm sure I never used to be so sensitive. I think it is due to this nervous condition.

Charlotte Perkins Gilman (1999). “The Charlotte Perkins Gilman Reader”, p.4, University of Virginia Press