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Charlotte Perkins Gilman Quotes - Page 2

I used to lie awake as a child and get more entertainment and terror out of blank walls and plain furniture than most children could find in a toy-store.

I used to lie awake as a child and get more entertainment and terror out of blank walls and plain furniture than most children could find in a toy-store.

Charlotte Perkins Gilman, Shawn St. Jean (2006). “"The Yellow Wall-paper" by Charlotte Perkins Gilman: A Dual-text Critical Edition”, p.31, Ohio University Press

What would have been the effect upon religion if it had come to us through the minds of women?

Charlotte Perkins Gilman (2012). “Herland and Related Writings”, p.209, Broadview Press

Death? Why this fuss about death? Use your imagination, try to visualize a world without death! Death is the essential condition of life, not an evil.

Charlotte Perkins Gilman (1935). “The Living of Charlotte Perkins Gilman: An Autobiography”, p.40, Univ of Wisconsin Press

However, one cannot put a quart in a pint cup.

Charlotte Perkins Gilman (1935). “The Living of Charlotte Perkins Gilman: An Autobiography”, p.41, Univ of Wisconsin Press

But we were made to believe and not allowed to think. We were told to obey, rather than to experiment and investigate.

Charlotte Perkins Gilman (2003). “His Religion and Hers: A Study of the Faith of Our Fathers and the Work of Our Mothers”, p.190, Rowman Altamira

Specialization and organization are the basis of human progress.

Charlotte Perkins Gilman (2015). “Women and Economics - A Study of the Economic Relation Between Men and Women as a Factor in Social Evolution: From the famous American writer, feminist, social reformer and a respected sociologist who holds an important place in feminist fiction, well-known for her stories The Yellow Wallpaper and Herland”, p.35, e-artnow

I cry at nothing, and cry most of the time.

Cry
Charlotte Perkins Gilman (2015). “Delphi Complete Works of Charlotte Perkins Gilman (Illustrated)”, p.1056, Delphi Classics

One religion after another has accepted and perpetuated man's original mistake in making a private servant of the mother of the race.

Charlotte Perkins Gilman (2003). “His Religion and Hers: A Study of the Faith of Our Fathers and the Work of Our Mothers”, p.217, Rowman Altamira

The most familiar facts are often hardest to understand.

Charlotte Perkins Gilman (1904). “Human Work”, p.3, Rowman Altamira

Concepts antedate facts.

Charlotte Perkins Gilman (1904). “Human Work”, p.35, Rowman Altamira

The one predominant duty is to find one's work and do it.

Charlotte Perkins Gilman, Jennifer S. Tuttle (2002). “The Crux: A Novel”, p.13, University of Delaware Press

Through it [literature] we know the past, govern the present, and influence the future.

Charlotte Perkins Gilman (2015). “Collected Works of Charlotte Perkins Gilman: Short Stories, Novels, Poems and Essays: The Yellow Wallpaper, What Diantha Did, Women and Economics, The Crux, Moving the Mountain, Herland and other works from the prominent American feminist, sociologist and novelist”, p.736, e-artnow

Maternal instinct, merely as an instinct, is unworthy of our superstitious reverence.

Charlotte Perkins Gilman (2015). “The Humanness of Women: Theory and Practice of Feminism (Essays and Sketches): Studies and thoughts by the famous American writer, feminist, social reformer and deeply respected sociologist who holds an important place in feminist fiction, known for The Yellow Wallpaper story”, p.86, e-artnow

But I MUST say what I feel and think in some way — it is such a relief! But the effort is getting to be greater than the relief.

Charlotte Perkins Gilman (2012). “The Yellow Wallpaper and Other Stories”, p.7, Courier Corporation