Identity issues are hardwired into the way I think about character - it's almost as if I can't get away from them even if I want to.
I have long admired Caroline Leavitt's probing insight into people, her wit and compassion, her ability to find humor in dark situations, and conversely, her tenderness towards characters.
I knew I wanted to play around with genre-esque imagery, and the identity theft stuff came in the middle, when I was figuring out how the characters were connected to those images.
I don't think anybody deals well with tragedy or grief, but maybe my characters are particularly bad at it. Which is why I love them.
I think that the way that I write stories is by instinct. You have some basic ideas - a character, or an image, or a situation that sounds compelling - and then you just feel your way around until you find the edges of your story. It's like going into a dark room... you stumble around until you find the walls and then inch your way to the light switch.
I start with an image, then I go from the image toward exploring the situation. Then I write a scene, and from the scene I find the character, from the character I find the larger plot. It's like deductive reasoning - I start with the smaller stuff and work backward.
