What we need to do is pull the rug out so billionaires in our country wake up one morning and say, wow, 80 percent of the country has a solar panel, and we can't make our billions anymore because other people are making millions, but not billions, on alternative energy that doesn't require war. Suddenly, the war-making machinery is not necessary.
Why wouldn't you want to be the envy of your neighbors by being so good and so generous and so smart in how you use the power that you obviously have? That's my patriotism.
Hegemony is not defined by rivers or conventional borders - it's dominance, it's influence. So we get to decide in our hearts, are we in Iraq to help restore something, or are we there to establish dominance? How can you torture people and say, well, that's just a few bad apples in our culture?
Empires are doomed. They become more diffuse, more broke, demagogues rule, and so I was just pointing out some similarities between past empires and what's going on right now. They all have had to apply more and more harsh rhetoric of superiority and divine right to justify the building of hegemony.
I'm just trying to be part of the movement that decentralizes and hopefully creates peace. By supporting smaller, democratic structures, you can effect change.
For my 50th birthday I just want to make it all make sense [being exactly half introvert], and then a couple of weeks later do the blow-out with all my friends.
There are a lot of people out there who are exactly half extrovert and half introvert and they love to be extroverts as long as they have enough time to go off and figure it all out.
I think the music was speaking to that opening up of whose voice gets heard and how multidimensional that voice can be.
I really lucked out with that song ["As Cool As I Am"]. Men were becoming much more comfortable with all the different facets and parts of their identity, including their gentler, funnier, sillier, nurturing parts. They started showing up. There was so much exploration of gender at that time. Women were showing up with the range of ways of being female in the world and men were showing up with the range of being male in the world.
A lot of men were also becoming more attuned and less afraid of women [in the nineties ].
What was nice about the nineties is that it was an example of music that responded to a desire of the times. It spoke to the social conditions of the times. Women were making more money. Women were saying, "My voice counts. If we're going out on a Friday night, I don't want to see a Rambo movie. I want to go see a singer/songwriter who sings about my life".
The kind of organic wave, the way that waves move, and I'm not just talking about feminism, the way that a social movement might rise like a wave. It's harder to build any kind of wave now. Things are important to you and then they recede within a day. That's the only thing that keeps me from believing that there's going to be any one organic big wave; although the Americana (music) thing has been happening for a while.
There's tons of anger and angst and peculiarity and eccentricity, and good towns know that that's okay. But towns that are kind of bullshit don't know what to do with all those feelings.
I started going out with one of my managers and he really grew me up in a lot of ways. He introduced me not just to being a full-time traveler, which I was, but he was also really very interested in history and art and continued to open my eyes up to regional history; less splashy histories. He was interested in historical societies and stuff like that. He introduced me to a way of looking at the way communities form that is the foundation for the book that I've just finished writing that has to do with what I see as effective community-building wherever I've been traveling.
I spent a year pulling all-nighters and driving around in a really tiny fuel-efficient car relying on the kindness of strangers and seeing this incredible range of landscapes throughout the United States. That's what happened with The Honesty Room. It was a huge night and day switch.
I went from having three little jobs that I strung together to being on the road full-time; having some savings that my managers told me to spend. You fly all over the country opening for these other people. You pay a publicist to get some press while you're establishing yourself and you will be solvent in this career forevermore.
A lot of the songs are pretty unmasked. If you listen to "As Cool As I Am," it's not all that different from what you were hearing from Ani DiFranco and some of the other indie women artists of the time. It was still in that context, still seen as folk music.
There was this moment in 2003 when I was asked to do a fundraiser for someone who was speaking out against the Iraq war when nobody was. I said, "I will do a fundraiser for that guy." And then my friend John Hall, from the band Orleans...He ran for Congress in my district and won. I did a bunch of fundraisers for him.
I am happy to do political fundraisers. I always hope that my friends will be, too. It's part of who you are and you shouldn't feel ashamed of what you believe in.
You know how people say they're either like a cat or a dog? I feel like a cat. I just want to be alone. Isn't that weird? It's a lot to take in.
Every once in a while I'll say something...I dropped the F-bomb early on in my career. There was this lesbian couple and they looked super-hip. One of them looked at me and shook her head, like "Don't do that." I think she was doing it to say, "It doesn't work." She didn't say anything but it was this cautionary moment. I knew it didn't work. There are just so many other words to choose from.
The only I would say is a little different is when I know my parents are in the audience. That's never going to be the same as another concert.
At this point, I feel like I have roots in a lot of places. I have friends who have put down roots, in Seattle and San Francisco and Portland, and I feel very close to them.
[Mortal City ] was also the beginning of the reality of the fact that I was going to have little pieces of my personality identifying with all of these different parts of the country.
Mortal City was really influenced by geography. [The song] "The Ocean" is the Pacific Northwest. Southern California and New York also figure into songs, and Iowa. "February" is very much about New England. "Mortal City" is Philadelphia. The whole album is this anthropomorphized landscape where the metaphors live in this geography.
