David Lynch Quotes - Page 9

Tied to consciousness are all positive qualities, so that ocean within is an ocean of unbounded intelligence, unbounded creativity, unbounded happiness, unbounded love, unbounded energy, and unbounded peace. And when students start expanding consciousness in those positive qualities, their relationships improve, their grades go up, their happiness goes up, the fighting and bullying stops, and things get very, very, very good.

I felt I should have been the happiest person in the world. But I looked inside, and that happiness was only on the surface, not so deep. Beneath it was hollow. Up until that time, I had been thinking meditation was a joke, a fad and a waste of time.

Consciousness-Based Education is just plugging us all into the beautiful, eternal field within, and then watching things get better, which is what happens. It's a field of infinite, unbounded peace within every human being, and when you experience it, you enliven that peace.

When you make your first film, it's really hard in some ways. You're just nowhere. But then you have something. If you have a success, then you might be looking to take a fall. If you had a fall, you get a certain kind of euphoria because you're not dead, so you can still do it again. It's about how you go through the processes. Do you enjoy that "doing"? Is it getting less fun or more fun?

I just hope that I get a chance to keep making pictures in the atmosphere of freedom to make mistakes, and to find those magical things. Then I don't care what else happens.

Because you make a world that didn't exist before, and you can go into that world deeper and deeper. It's unbounded out there. One film takes you into one area, another film takes you into another area. There could be trillions, zillions of worlds that exist in the big space.

I wouldn't know what to do with [colour]. Colour to me is too real. It's limiting. It doesn't allow too much of a dream. The more you throw black into a colour, the more dreamy it gets… Black has depth. It's like a little egress; you can go into it, and because it keeps on continuing to be dark, the mind kicks in, and a lot of things that are going on in there become manifest. And you start seeing what you're afraid of. You start seeing what you love, and it becomes like a dream.

Well, I've been blessed with good hair, or at least some people think it is. It is the way it is, sort of does what it wants to. So, yeah, I guess it is [a metaphor for your views on art and life].

Death in my mind isn't a finality. There's a continuum: It's like at night, you go to sleep and in the daytime you wake up, or whenever you wake up, and it's a new day.

Transcendental meditation is like a car, a vehicle that allows you to go within. It's a mental technique.

Making a film is a beautiful mystery. You go deep into the wood, and you don't want to come out of that wood.

The ocean of solutions is within, enliven that. It's a world of clues, a world of mystery but the mystery can get solved, you can find a lot of answers for these things within.

Everybody's got creativity. Dive within to the ocean of infinite creativity.

I always say that intuition is the number one tool for an artist.

When the going gets tough, everyone leaves.

I'm convinced we all are voyeurs. It's part of the detective thing. We want to know secrets and we want to know what goes on behind those windows. And not in a way that we would use to hurt anyone. There's an entertainment value to it, but at the same time we want to know: What do humans do? Do they do the same things as I do? It's a gaining of some sort of knowledge, I think.

A lot of music doesn't do one thing or another. It just doesn't do anything. Then there are those pieces of music that thrill your soul. It's such a wide range, and it's really interesting that we all love different things.

Angelo Badalamenti brought me into the world of music and that's really what gave me permission to get into it even though I'm not a musician. It's just an intuitive thing for me.

Music as background to me becomes like a mosquito, an insect. In the studio we have big speakers, and to me that's the way music should be listened to. When I listen to music, I want to just listen to music.

I have no problem getting financing. I have a problem catching ideas that I fall in love with for the next feature.

True happiness is not out there. True happiness lies within.

One change of attitude would change everything. If everyone realized that it could be a beautiful world and said, 'let's not do these things anymore - let's have fun.'

If we didn't want to upset anyone, we would make films about sewing, but even that could be dangerous. But I think finally, in a film, it is how the balance is and the feelings are. But I think there has to be those contrasts and strong things within a film for the total experience.

The feature film has changed a lot. Art houses are gone and people show a certain type of cinema in the big theaters now that, you know, it's not quite really good for me, and if I made a feature film, I was think I'd play in LA and New York for a week, and then go right to television.

I think true love is not only true personal love but totality of love, universal love - to be in love with everything manifest and everything unmanifest.