Robert Bresson Quotes

Make visible what, without you, might perhaps never have been seen.

The ear is profound, whereas the eye is frivolous, too easily satisfied. The ear is active, imaginative, whereas the eye is passive. When you hear a noise at night, instantly you imagine its cause. The sound of a train whistle conjures up the whole station. The eye can perceive only what is presented to it.

When a sound can replace an image, cut the image or neutralize it. The ear goes more towards the within, the eye towards the outer.

My movie is born first in my head, dies on paper; is resuscitated by the living persons and real objects I use, which are killed on film but, placed in a certain order and projected on to a screen, come to life again like flowers in water.

Hide the ideas, but so that people find them. The most important will be the most hidden.

Be the first to see what you see as you see it.

An old thing becomes new if you detach it from what usually surrounds it.

The future of cinematography belongs to a new race of young solitaries who will shoot films by putting their last penny into it and not let themselves be taken in by the material routines of the trade.

When you do not know what you are doing and what you are doing is the best - that is inspiration.

Ten properties of an object, according to Leonardo: light and dark, color and substance, form and position, distance and nearness, movement and stillness.

The eye solicited alone makes the ear impatient, the ear solicited alone makes the eye impatient. Use these impatiences. Power of the cinematographer who appeals to the two senses in a governable way. Against the tactics of speed, of noise, set tactics of slowness, of silence.

Prefer what intuition whispers in your ear to what you have done and redone ten times in your head.

To create is not to deform or invent persons and things. It is to tie new relationships between persons and things which are, and as they are.

Unbalance so as to re-balance.

Catch instants. Spontaneity, freshness.

Ideally, nothing should be shown, but that’s impossible.

Bring together things that have as yet never been brought together and did not seem predisposed to be so.

Empty the pond to get the fish.

For me, film-making is combining images and sounds of real things in an order that makes them effective. What I disapprove of is photographing things that are not real. Sets and actors are not real.

The point is not to direct someone, but to direct oneself.

Practice the precept: find without seeking

The most ordinary word, when put into place, suddenly acquires brilliance. That is the brilliance with which your images must shine.

The things one can express with the hand, with the head, with the shoulders!... How many useless and encumbering words then disappear! What economy!

Films can only be made by by-passing the will of those who appear in them, using not what they do, but what they are.

A too-expected image (cliché) will never seem right, even if it is.