I can easily say "no" to a project if the script isn't great, but when the script is good, then I start asking the other questions. Who's going to direct it? Who's the creator? Who are the actors? When are we shooting? Where is it shooting? All that kind of stuff.
My job, at the very least, doesn't change at all.
My job is to try and present the most fully-rounded character that I can, and bring a performance that people believe in.
My best takes aren't necessarily take five or take six. My best takes are usually take two.
