art itself shuns commonality: while the scientist may seek the phenomenon that repeats itself, the artist seeks the exception.
It has always been difficult for historians to fully grasp the intelligence of painters.
Raymond Hendler exhibited a group of abstract paintings that displayed rare high spirits. Using a great deal of fresh white, Hendler devised extremely simple symbols which he dispersed felicitously on his shining grounds. These bright, often linear hieroglyphs serve both as pictorial animators-they often flow in winding patterns or like fluent handwriting-and as references to the plentitude of the artist's existence. Gardens and sky and human joy are read in these exceedingly compressed forms.
