Shall I let in the stranger, Shall I welcome the sailor, Or stay till the day I die? Hands of the stranger and holds of the ships, Hold you poison or grapes?
I do not remember-that is the point-the first impulse that pumped and shoved most of the earlier poems along, and they are still too near me, with their vehement beat-pounding black and green rhythms like those of a very young policeman exploding, for me to see the written evidence of it.
In my craft or sullen art Exercised in the still night When only the moon rages And the lovers lie abed With all their griefs in their arms, I labour by singing light Not for ambition or bread Or the strut and trade of charms On the ivory stages But for the common wages Of their most secret heart. Not for the proud man apart From the raging moon I write On these spindrift pages Nor for the towering dead With their nightingales and psalms But for the lovers, their arms Round the griefs of the ages, Who pay no praise or wages Nor heed my craft or art.
Let the dry eyes perceive Others betray the lamenting lies of their losses By the curve of the nude mouth or the laugh up the sleeve.